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• VCADRP044

  Perform devised and scripted drama making deliberate artistic choices and shaping design elements to unify dramatic meaning for an audience

  Elaborations

  • working collaboratively as a member of a creative team to direct the blocking and staging of dramatic action to communicate intended meaning(s) for an audience
  • exploring the impact of design elements and technology on dramatic meaning by using costumes, props, sound, multimedia and lighting, and considering impact of drama they view and evaluating options for their own work
  • using evaluative questions to maintain a focus on creative aims and intentions, for example, at critical stages through the play-making processes asking a series of questions such as ‘How are the elements of drama being used to convey ideas? How are materials manipulated in this drama? How are the director and performers shaping skills and processes to make and communicate meaning? How are design elements being used?

  VCADRP044 | The Arts | Drama | Levels 9 and 10 | Present and Perform

• VCADRP007

  Participate in drama performances to communicate a feeling and/or events

  Elaborations

  • participating as an actor for a short period of time
  • participating as an audience for a short time
  • participating in enacting a cultural or community story with the assistance of representatives from the community
  • following cues and using voice and movement to link action and stories in their drama
  • rehearsing and performing sequences to communicate stories through drama

  VCADRP007 | The Arts | Drama | Level B | Present and Perform

• VCADRP011

  Present drama that communicates ideas, feelings and/or experiences

  Elaborations

  • responding to various performing and visual arts, e.g. clap along, study images within a picture
  • communicating feelings to others through simple role plays or perform
  • starting to use and like some familiar words and images to form a meaningful communication
  • re-enacting significant part/s of cultural or community story with the assistance of representatives from the community
  • rehearsing and performing sequences of ideas to communicate stories through drama

  VCADRP011 | The Arts | Drama | Level C | Present and Perform

• VCADRP019

  Present drama that communicates ideas and stories

  Elaborations

  • using questions to guide rehearsal and performance of sequences of ideas to communicate stories, for example, what do they want the audience to think about their drama?
  • presenting scenes the class has developed in response to a stimulus such as an image or a poem
  • using facial expression, objects and props to enhance their performance and engage the audience
  • using questions to evaluate performances, for example, ‘what did they enjoy most about the drama and why?’

  VCADRP019 | The Arts | Drama | Foundation Level | Present and Perform

• VCADRP037

  Perform devised and scripted drama using a range of performance styles, maintaining commitment to role and applying stagecraft

  Elaborations

  • performing roles using conventions relevant to the performance style
  • using audience feedback to enhance future performance, for example, adjusting performance based on audience responses to characters’ portrayal of emotions and empathy
  • performing roles with commitment to the underlying dramatic structure
  • evaluating performances, for example, ‘How successful was the director in expressing the intent clearly to the audience? How well did the performers create role or character and use expressive skills?’

  VCADRP037 | The Arts | Drama | Levels 7 and 8 | Present and Perform

• VCADRP023

  Present drama that communicates ideas, including stories from their community, to an audience

  Elaborations

  • presenting scenes in which they apply story structures to set the scene, link action and create an ending, such as re-telling a cultural or community story with the assistance of representatives from the community
  • following cues and using voice and movement to link action, ideas and stories in their drama
  • considering meanings and interpretations when rehearsing and performing sequences of ideas to communicate stories through drama, for example, ‘what do they want the audience to think about their drama?
  • enhancing ideas and stories in their drama by using available software and technologies, for example, using a mobile device to add sound effects to a performance

  VCADRP023 | The Arts | Drama | Levels 1 and 2 | Present and Perform

• VCADRR045

  Evaluate how the elements of drama, forms and performance styles in devised and scripted drama to convey meaning and aesthetic effect

  Elaborations

  • analysing how the elements of drama are manipulated to focus the dramatic action for audiences and using this information to refine drama they make
  • evaluating how the features and conventions of forms and styles create dramatic meaning and theatrical effect
  • evaluating how ideas and emotions shape the expressive qualities and staging of forms and styles in their own and others’ drama
  • considering how drama theory has been used in creating and performing the text
  • using questions as the basis for an evaluative discussion, for example, ‘How successful were the actors and director in conveying the playwright’s stated intent? How successfully have the design elements been incorporated into the drama?’

  VCADRR045 | The Arts | Drama | Levels 9 and 10 | Respond and Interpret

• VCADRR039

  Identify and connect specific features and purposes of drama from contemporary and past times, including the drama of Aboriginal and Torres Strait Islander peoples to explore viewpoints and enrich their drama making

  Elaborations

  • identifying contexts, for example, social, historical or cultural relevant to the forms and styles represented in their drama
  • locating and exploring specific examples of contemporary Australian, Asian and other world drama
  • describing the role of drama in different cultures and use this information when planning their own drama
  • considering the cultural context in which the drama they view was made, for example, what are the protocols for viewing Aboriginal and Torres Strait Islander drama and other culturally specific performances? What historical forces and influences are evident in the drama? How does this style of drama vary from drama that is typical of other traditions or other locations?

  VCADRR039 | The Arts | Drama | Levels 7 and 8 | Respond and Interpret

• VCADRR046

  Analyse a range of drama from contemporary and past times, including the drama of Aboriginal and Torres Strait Islander peoples to explore differing viewpoints and develop understanding of drama practice across local, national and international contexts

  Elaborations

  • evaluating conventions from past forms and styles to consider how these can be incorporated into own drama and contemporary practice, for example, ‘How successful were the actors and director in conveying the playwright’s stated intent? How successfully have the design elements been incorporated into the drama?
  • identifying and describing the actor-audience relationship in different dramatic contexts, forms and styles
  • linking conventions from different forms with purposes, origins and contexts
  • identifying the impact of media, and social and technological changes on drama practice, for example, interactions between kinaesthetic and visual aspects of dance in forms that incorporate digital components
  • interrogating the cultural and social roles and responsibilities of the theatre industry, recognising the power of drama in advocating for, and being a catalyst of change, for example, investigating how the work by contemporary Aboriginal and Torres Strait Islander writers and performers for television, film, circus and comedy is impacting on community understanding about issues such as land rights and reconciliation

  VCADRR046 | The Arts | Drama | Levels 9 and 10 | Respond and Interpret

• VCADRR038

  Analyse how the elements of drama have been combined in devised and scripted drama to convey different forms, performance styles and dramatic meaning

  Elaborations

  • identifying and analysing how the elements of drama are combined to focus and drive the dramatic action for an audience
  • identifying and analysing how the elements of drama are used in the historical and contemporary conventions of particular forms and styles
  • discussing how the elements of drama and stagecraft have been used in a performance they have seen
  • researching directors’ works through real or virtual performances to interpretations of scripted drama, considering implications for their own work

  VCADRR038 | The Arts | Drama | Levels 7 and 8 | Respond and Interpret

• VCADRR024

  Respond to drama, expressing what they enjoy and why, and why people in their local area make and perform drama, including drama of Aboriginal and Torres Strait Islander peoples

  Elaborations

  • identifying where they might experience drama in their community, for example, sharing experiences of attending a Tanderrum, or taking part in a drama performance in their community and considering how drama sustains and communicates cultural knowledge
  • talking about how voices, movement and space are used in drama they make and see
  • connecting to and sharing drama experiences through available digital access
  • discussing ways drama can show people’s different feelings about the world, based on their experiences of the environment and other people

  VCADRR024 | The Arts | Drama | Levels 1 and 2 | Respond and Interpret

• VCADRR004

  React to drama

  Elaborations

  • experiencing and reacting to dramatisations
  • reacting to stimuli such as other peoples’ stories
  • experience drama for enjoyment and appreciation
  • viewing photos or videoing of their dramatisations
  • attending drama performances or taking part in drama in their community
  • reacting to the use of voices, movement and space in drama they make and experience

  VCADRR004 | The Arts | Drama | Level A | Respond and Interpret

• VCADRR028

  Identify intended purposes and meaning of drama, including the drama of Aboriginal and Torres Strait Islander peoples

  Elaborations

  • discussing the planning, developing or refining of aspects of drama they are making and how their drama has been influenced by drama they have viewed or performed
  • comparing the expectations and requirements of performers and audience in different cultural settings and apply learning in their own performances
  • comparing drama in their community to drama of other people, times and locations, for example talking with local Koorie community members about how Koorie people told traditional stories through drama in earlier times and how the same stories are communicated now
  • using drama terminology, write about and discuss the meaning and intentions of their own drama, for example, responding to questions such as ‘what are the stories and the ideas in the drama they watch and listen to, which characters do they identify with, what relationships and situations do they recognise in the drama?’

  VCADRR028 | The Arts | Drama | Levels 3 and 4 | Respond and Interpret

• VCADRR008

  Respond to own and others drama

  Elaborations

  • viewing and responding to photos or video of them during drama
  • indicating which character/ costume/ drama they liked using drama or images
  • participating as an audience for a short period of time
  • viewing and sharing drama experiences through available digital access
  • experience various viewpoints through teacher lead experiences and indicating their responses through limited field of choices or yes/ no response related to societies and cultures

  VCADRR008 | The Arts | Drama | Level B | Respond and Interpret

• VCADRR020

  Respond to drama, expressing what they enjoy and why

  Elaborations

  • accepting and responding to constructive feedback from teachers or peers
  • talking about how voices, movement and space are used in drama they make and see, for example, using questions such as ‘what sort of facial expressions did the characters use?, how did the drama make them feel?’
  • describing the ideas in a story the class has presented through drama
  • sharing observations of characters they have seen in drama performances in their local community, such as characters in an enactment of a Koorie story at a local festival

  VCADRR020 | The Arts | Drama | Foundation Level | Respond and Interpret

• VCADRR032

  Explain how the elements of drama and production elements communicate meaning by comparing drama from different social, cultural and historical contexts, including in the drama of Aboriginal and Torres Strait Islander peoples

  Elaborations

  • reviewing their own drama, outlining how they used elements of drama and narrative structures and the consequences of collaborative processes
  • identifying and discussing different performance styles and the portrayal of different roles and relationships in the drama
  • talking and writing about drama from other places and times and how it may contribute to their own drama, and how cultural understandings shape meanings in drama
  • identify the features of drama from different times and places, for example, investigate ways that drama created by contemporary Aboriginal and Torres Strait Islander drama practitioners and drama created by contemporary drama practitioners based in a school’s/region’s sister city in Asia, communicate stories

  VCADRR032 | The Arts | Drama | Levels 5 and 6 | Respond and Interpret

• VCADRR016

  Respond to drama and describe some of the characteristics they observe

  Elaborations

  • responding to who, what, where questions in relation to Australian drama, including drama of Aboriginal and Torres Strait Islander Peoples
  • participate in teacher directed class discussions about likes, dislikes, opinion about a play
  • guided to explore the basic features of their own and others performance such as what features they like best, characters, special effects
  • identifying drama to places and spaces at school and in the community

  VCADRR016 | The Arts | Drama | Level D | Respond and Interpret

• VCADRR012

  Share responses to drama by answering yes/no questions and explore where and why people make drama

  Elaborations

  • responding to a dramatization
  • participating as an audience by modelling the clapping of others
  • communicating about aspects of their own performance, by pointing to them self, pointing to and name some of their costumes or characters
  • participating in class discussion about how voices and movement were used in a drama
  • experiencing drama that show that people have different feelings about the world based on their experiences of the environment and other people

  VCADRR012 | The Arts | Drama | Level C | Respond and Interpret

• VCAMAE040

  Experiment with ideas and stories that manipulate media elements, and genre conventions to construct new and alternative viewpoints in images, sounds and text

  Elaborations

  • combining different film trailers from different genres or styles, and editing them together to create a new film genre or style
  • constructing characters for a computer game that appeals to diverse audiences
  • experimenting with images, sounds and text to develop representations of current social issues
  • combine different images, sounds and texts from different genres to create an interactive website on a current youth issue or culture

  VCAMAE040 | The Arts | Media Arts | Levels 9 and 10 | Explore and Represent Ideas

• VCAMAE029

  Explore representations, characterisations and viewpoints of people in their community, using stories, structure, settings, and genre conventions in images, sounds and text

  Elaborations

  • applying the conventions of an established genre to an ordinary everyday event to create humour, for example, a visit to the library as an action movie or lunch as a sports commentary on the radio
  • exploring different power relationships and showing different perspectives on characters by framing images, for example, representing a power relationship drawn from their school or community
  • designing and drawing a game character for a particular genre, considering the appropriate costume, mannerisms and genre-specific dialogue
  • selecting combinations of media materials to represent the same person, location or idea in different ways in a multimodal form, for example, using different music or sound effects or images to represent the same story

  VCAMAE029 | The Arts | Media Arts | Levels 5 and 6 | Explore and Represent Ideas