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F–10 Sequence Foundation to Level 2

Foundation to Level 2 Description

Students learn to produce all handshapes, movements and locations of single signs. They make use of handling and size and shape specifiers (SASS) depicting signs with increasing accuracy, and use entity depicting signs to talk about simple movement and locations. Students produce a range of clause structures with the correct sign order and non-manual features (NMFs), such as questions, negatives...

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Foundation to Level 2 Content Descriptions

Communicating

Socialising Elaborations
  1. Communicate with teacher, peers and familiar adults in guided and free interactions that develop social and communicative skills (VCASFC001)
    1. interacting with others using greetings according to relationship, context and time of day, for example: HELLO, HOW-ARE-YOU? SEE LATER, GOOD MORNING M-R-J-O-N-E-S
    2. asking and answering questions about families, friends, pets, routines or pastimes, for example:
      PRO2 ARRIVE SCHOOL HOW? CAR TAXI WALK G:WELL?
      How do you get to school?
      WHAT POSS2 FAVOURITE SPORT WHAT?
      What’s your favourite sport?
      POSS1 BIRTHDAY WHEN D-E-C
      My birthday is in December.
      Auslan video
    3. using everyday social exchanges such as thanking, apologising, expressing wishes or congratulations, for example:
      THANK-YOU HELP-me
      Thank you for helping me.
      SORRY A-C-C
      I’m sorry, it was an accident.
      GOOD-LUCK POSS2 RACE
      Good luck for your race.
      Auslan video
    4. introducing themselves or a friend to class visitors, for example:
      HELLO POSS1 NAME G-A-V-I-N SIGN-NAME:GAVIN
      Hi, my name’s Gavin and this is my sign name.
      Auslan video
    5. supporting interaction when socialising with their peers, for example by indicating agreement or disagreement through nodding or head shaking
    6. recounting personal experiences using specific time markers such as BEFORE, AFTER, LONG-TIME-AGO, YESTERDAY
    7. recounting experiences shared as a class, such as excursions or special visitors, using appropriate sequencing of information
    8. describing family members, friends or teachers in terms of physical appearance and characteristics, for example:
      PRINCIPAL YOU-KNOW SHORT LONG-HAIR GLASSES?
      You know the principal? She’s short, has long hair and wears glasses.
      POSS1 BROTHER OLD++ TALL SKINNY
      My brother is older; he’s tall and skinny.
      Auslan video
    9. comparing likes, dislikes and preferences, for example:
      PRO1 LIKE APPLE PRO1 DON’T-LIKE ORANGE
      I like apples but I don’t like oranges.
      Auslan video
    10. exploring different ways of expressing emotion through the use of NMFs and lexical signs, for example:
      PRO3 TEASE-me
      She teased me.
      NOW PRO1 HAPPY BEFORE PRO1 CRANKY
      I’m happy now but before I was cranky.
      Auslan video
    11. sharing their opinions about classmates or classroom resources using evaluative language and superlatives, for example:
      S-A-M RUN FAST C-H-R-I-S WOW FAST SPEED
      Sam runs fast but Chris runs the fastest.
      THAT BEST COMPUTER
      That’s the best computer.
      Auslan video
    12. sharing information about personal experiences or recent events, using time markers that incorporate numerals, such as THREE-DAYS-AGO, NEXT-WEEK, LAST YEAR, IN-TWO-DAYS
    13. referring to family members’ and classmates’ names using fingerspelling or sign names as appropriate
    14. describing class activities using plain or indicating verbs, modifying the indicating verbs some of the time, for example:
      THERE SIT BOOK READ, FINISH PUT++
      Over there we sit and read books, and when we’re finished we put them away.
      PENCIL PRO1 GIVE++
      I’ll give out the pencils.
      Auslan video
    15. conversing with friends using appropriate turn-taking strategies
    16. asking and answering questions related to time, place, number, days of the week, months and seasons, for example:
      WHY SHOULD LOOK-left LOOK-right BEFORE ROAD CROSS
      Why do we need to look left and right before crossing the road?
      ONE WEEK DS:length HOW-MANY DAY?
      How many days in a week?
      Auslan video
    17. describing relationships between members of their family or between classmates, for example:
      PRO3 POSS1 COUSIN WE2 GOOD FRIEND.
      She’s my cousin; we’re good friends.
      POSS3 FATHER PUNISH PRO3
      Her father punished her.
      Auslan video
  2. Participate in group learning activities that involve taking turns, playing action games, making choices or swapping and classifying items (VCASFC002)
    1. participating in signing songs and games that involve repeated signs, gestures and NMFs, for example, I went to the market and I bought … Old MacDonald had a farm …
    2. participating in activities that involve classifying objects by attributes such as shapes, colours and numbers
    3. following directions in activities such as an obstacle course or action game, using directional terms or depicting signs such as
      DS:turn-left DEAD-END DS:turn-right
      Go left, then at the end turn right.
      PLEASE BRING MILK FRIDGE DS:open-door POINT
      Please bring the milk; it’s at the bottom of the fridge door.
      Auslan video
    4. playing games that involve choice, memory or information exchange to reinforce number skills or language patterns
    5. collaborating in art or craft activities that involve making decisions about choices or contributions
    6. participating in barrier games and other information-gap activities that focus on describing appearance or scenes, such as a game of ‘Guess Who’ on paper with some characters named on paper A and some not named on paper B, and vice versa; taking turns to describe appearance of the characters with no name and having partner fingerspell their names back
    7. participating in role-plays that involve scenarios such as ordering a meal, buying food or other items, transacting payment or giving feedback
  3. Participate in classroom routines and activities such as following directions, attracting attention, responding to questions and turn-taking (VCASFC003)
    1. recognising their own and their classmates’ fingerspelled names used in games or routines such as roll call
    2. asking for help, offering assistance or requesting permission in polite ways, for example:
      PLEASE HELP-me?
      Can you help me, please?
      CAN SHARE?
      Can we share these?
      Auslan video
    3. demonstrating attentive watching across a range of school contexts, such as assemblies or classroom discussions
    4. following instructions for class routines, for example:
      PLEASE WITH-2++ DS:sit-opposite
      Please find a partner and sit opposite each other.
      DS:line-up PLEASE
      Line up, please.
      LOOK-AT-me PRO1
      Look to the front.
      Auslan video
    5. gaining others’ attention in appropriate ways, relying less on tap and more on other strategies, and responding to others’ attempts to gain their attention
    6. following protocols such as stopping when lights are flashed, and observing appropriate distance between signers
    7. learning to be a supportive group discussion member, for example by asking relevant questions, providing feedback, prompting, using NMFs to indicate agreement or disagreement
    8. formulating different kinds of open and closed questions, including WHEN, WHY and HOW questions
    9. signing appropriately to maintain or change a topic, to remain on task and take turns
    10. interacting with each other or the teacher by using eye gaze and other NMFs to indicate agreement/disagreement or understanding/lack of understanding
    11. negotiating turn-taking, for example:
      PRO1 FIRST YOUR-TURN
      It’s my turn first, then your turn.
      Auslan video
    12. watching, remembering and responding to increasingly complex instructions of two or more steps, for example by moving or locating objects in the classroom
    13. using the appropriate NMFs for asking questions and making statements when interacting in small groups
Informing Elaborations
  1. Identify specific points of information in simple Auslan texts and use the information to complete guided tasks (VCASFC004)
    1. retelling and responding to key points of information in class messages, directions or introductions
    2. gathering information from their peers about topics such as family members, favourite foods, toys or games to report back to the class
    3. identifying information in simple Auslan texts that relates to properties such as colour, number, size or shape and responding through activities such as manipulating concrete materials and objects
    4. identifying and categorising signs in simple Auslan texts according to handshape
    5. following a signed text that involves several steps to progressively collect information needed to complete a task, such as an obstacle course
    6. watching short Auslan texts about topics such as hobbies, animals or sports, recording key points of information using tables or graphic organisers
    7. watching a presentation by a teacher, peer or visitor and recalling and retelling specific points of information
    8. recording new language in personal sign dictionaries acquired from simple Auslan texts in different curriculum areas, for example, when learning about the weather or countries of the world
  2. Present information about self, family, people, places and things using signed descriptions and visual prompts (VCASFC005)
    1. describing an object, animal or person using lexical adjectives, for example colours, or SASS depicting signs relating to size and shape
    2. contributing to a digital class presentation such as a video by signing a description of their own photo or piece of work
    3. demonstrating a simple procedure using list buoys and related sign vocabulary to demonstrate the different steps
    4. labelling objects in the classroom and in learning resources such as books and wall charts with pictures of signs
    5. recounting to the class details of a personal experience such as a holiday or weekend event
    6. reporting aspects of their daily routines or family life, such as how they travel to school or what they eat for lunch
    7. categorising and displaying pictures of signs, for example on a handshape wall
    8. presenting specific information such as a weather report using visual prompts or a digital presentation
    9. sharing information about their family, home or local community with their classmates, for example, through signed commentary to a display or digital presentation
    10. reporting key elements obtained from predominantly visual infographics or diagrams related to different learning areas, for example, life cycle charts
    11. providing information needed to complete an information-gap activity, for example, ‘20 Questions’ with yes/no answers, or ‘Guess Who?’
Creating Elaborations
  1. Participate in a range of imaginative experiences and respond through drawing, telling with familiar signs and written words or enacting with constructed action (VCASFC006)
    1. viewing fairytales or stories from sources such as National Simultaneous Storytime books, demonstrating understanding through retelling or enacting
    2. engaging in imaginative play that involves the creation of mood or momentum through repeated use of signs, handshapes and facial expressions to modify manner or intensify adjectives
    3. responding to forms of Deaf art such as handshape creations, for example by reproducing key elements in their own artwork and indicating emotional response using lexical signs such as LOVE, LIKE, LOOK GOOD, NOT BAD, UGLY
    4. responding to performances of Deaf poetry that evoke emotions such as sadness, fear or excitement, for example by indicating enjoyment or personal feelings
    5. interacting with a signing puppet or doll in a fantasy context or situation, for example by asking questions such as WHAT YOUR NAME? or YOU HUNGRY G:WELL?
    6. participating in indoor and outdoor games that use signs, handshapes and body movements in creative ways and focus on all Auslan parameters, for example, ‘Simon Says’
    7. participating in Auslan games that use simple clauses in creative ways, for example, playing the improvisation game ‘Space Jump’
    8. drawing a personal interpretation of a ‘visual vernacular’ description of a character’s appearance
    9. viewing short Auslan stories and responding by identifying and comparing favourite elements, characters and events
  2. Express imaginative experience through creative games, role-play and mime, using familiar signs, modelled language and constructed action (VCASFC007)
    1. changing elements of favourite stories to create their own versions, with a focus on varying manner or constructed action
    2. interacting with imaginary characters using lexical and non-lexical signs and NMFs to express emotions such as excitement, fear or amazement
    3. using iconic signs to create their own variations on familiar nursery rhyme actions, such as in ‘Incy Wincy Spider’
    4. depicting the movement of people, animals or means of transport by using handshapes in creative ways
    5. creating amusing sequences of signs using a fixed handshape, such as YOU THINK PRO1 SHY
    6. experimenting with NMFs and handshapes to play games such as ‘Simon Says’, taking turns to be Simon
    7. experimenting with facial expressions to match different emotional expressions, such as HAPPY, SCARED, TIRED
    8. changing an aspect of a cartoon or picture story, using gestures, handshapes and NMFs to explain differences
    9. representing objects using combined bodies and hands in amusing or creative ways
    10. exploring the use of constructed action such as eye gaze change, body shift and head orientation when enacting imagined adventures
    11. making their own handshape creations
    12. assuming the role of a character from a story and responding to signed questions from classmates, such as:
      YOUR NOSE DS:long-nose WHY?
      Why is your nose so long, Pinocchio?
      Auslan video
Translating Elaborations
  1. Translate familiar words and phrases from Auslan into English and vice versa, using visual cues, signs and English words, noticing how signs and words differ (VCASFC008)
    1. recognising that every language uses words or signs to make meaning
    2. identifying aspects of Auslan which are the same in English, such as the fingerspelled alphabet
    3. participating in shared reading of children’s books containing Auslan images and English text, asking and answering questions about unfamiliar words and phrases, and noticing the comparative number of signs and words used in the book
    4. translating simple Auslan signs to family and friends by fingerspelling or writing the English word, for example, DOG, CAT, BIRD
    5. comparing Auslan expressions used in everyday interactions such as greetings with equivalent English expressions, for example, HOW-ARE-YOU? compared to How are you?
  2. Create simple print or digital texts such as labels, posters, wall charts or cards that use both Auslan images and English words (VCASFC009)
    1. labelling objects and classroom items in both English and Auslan, using posters, word cards and alphabet cards, pictures and images of Auslan signs and words, for example, ‘a is for apple’ with a fingerspelled letter for ‘a’
    2. creating and using handshape images to represent signs and label with words, for example, flat hand = FISH
    3. developing a simple handshape dictionary with English captions
    4. using photos of family members to create a family tree or similar representation of relationships, captioning and labelling in English with corresponding images of Auslan signs for each family member
Identity Elaborations
  1. Explore ideas of identity, social groupings, relationship, space and place, and how these relate to the Deaf community (VCASFC010)
    1. describing themselves as belonging to their family and to social groups such as their class or age cohort of deaf children
    2. exploring concepts of difference and sameness
    3. representing their relationships with others by drawing pictures, adding captions to photos, creating posters or digital presentations to depict their family, labelling immediate and extended family members as deaf or hearing
    4. identifying themselves as members of different groups and describing their relationships with deaf, hard of hearing and hearing children, family members, the Deaf community and the wider ‘hearing’ society
    5. identifying and describing physical markers of identity among deaf children, for example hearing devices such as hearing aids, cochlear implants and FM systems
    6. identifying and discussing their own and each other’s family names, given name/s and name signs
    7. identifying elements of their behaviours or relationships that mark their individual or Deaf community identity such as the use of Auslan
    8. identifying places that are significant to them personally and are important to their identity
    9. exploring relationships between place, space and people, considering why some places and spaces make deaf people feel comfortable and promote a sense of belonging, for example those that facilitate face-to-face communication
    10. considering roles and responsibilities in relation to membership of a Deaf community, for example by describing how they can help others to be aware of their communication preferences in the classroom or with extended family
    11. exploring their shared experience as ‘people of the eye’, for example by identifying the importance of space for waving or using flashing lights to gain attention or to give visual applause
Reflecting Elaborations
  1. Notice similarities and differences between Auslan and spoken languages in relation to ways of interacting, sharing stories and playing games (VCASFC011)
    1. comparing aspects of their lives as signing children with those of non-signing children represented in digital images, video clips or stories, for example, ways of playing games, telling stories or interacting at school, home and in the community
    2. discussing changes or adaptations they have to make to their communicative style when interacting with non-signers

Understanding

Systems of language Elaborations
  1. Recognise the main formational elements of handshape, movement and location in Auslan signs, and understand that a sign is the same as a spoken or written word even though it can be iconic (VCASFU012)
    1. noticing the handshape of individual signs, and identifying signs that are made with a particular handshape, for example, COCKATOO (hs:5) and SOCCER (hs:fist)
    2. recognising that signs are categorised by the handshape at the start of the sign
    3. understanding that signs can be organised by handshape, for example in Johnston’s Auslan dictionaries or localised handshape dictionaries in schools, and that this is useful if an English word for a sign is not known
    4. noticing the path movement of a particular sign and identifying signs associated with the major types of path movements, for example, THROUGH (forwards) or FULL (down to up)
    5. noticing the five major locations of signs on the body or in space, and identifying signs associated with each, such as SEE (head/face), SAY (mouth/chin), WHY (chest), TALK (hand) and ONE (signing space)
    6. understanding that sounds in English words are like handshapes, movements and locations in Auslan in the sense that they are combined together to make signs
    7. recognising that some signs are iconic, linking to the appearance of a referent, for example, HOUSE, TREE, DRINK, ELEPHANT and that some are not, such as SISTER, WHY, SIMPLE
    8. recognising that unlike English, which can be spoken or written, signed languages are not usually written down but occur ‘through the air’
    9. experimenting with different methods of capturing the signed language, such as: a class-invented script, drawing pictures, videoing, English glosses or ASL-phabet
  2. Recognise that signing happens in a finite space that can be used meaningfully within individual signs, learning in particular how depicting signs, some verbs, pronouns and enacting make use of spatial relationships (VCASFU013)
    1. realising that meaning is communicated through the use of signs, pictures, written or spoken words or miming
    2. describing the range of signing space in normal signed discourse
    3. noticing that single-digit numbers can be separate lexical items or merged into other signs (numeral incorporation) such as those for ages (for example, 5-YEARS-OLD) or adverbs of time (for example, 3-WEEKS-AGO) or pronouns (WE3, WE4)
    4. noticing that Auslan pronouns are different from English ones because they don’t show gender but they can show location and a specific number of referents, for example, WE2 (inclusive) and WE3 (inclusive) or WE2-NOT-INCLUDING-YOU (exclusive)
    5. noticing that enacting a role or modifying the beginning and end locations of some verbs can show the referents involved, for example:
      PRO1 ASK PRO3 versus PRO1 ASK-her
      PRO3 ASK-me CA:I-was-shocked
      Auslan video
    6. identifying what sort of things can be represented in a DS by a particular handshape, for example a distant person, pole or tree can be represented by a point handshape, and a cylinder can be traced by a C handshape
  3. Recognise that groups of words combine to make clauses and include nouns and pronouns (people, places, things), adjectives (qualities) and verbs (happenings, states); and distinguish between statements and questions based on non-manual features (VCASFU014)
    1. categorising noun signs into those for people, animals, places or things
    2. understanding that proper nouns can have a sign name or be fingerspelled
    3. knowing that adjectives describe nouns in different ways, such as how they look (BIG or RED), feel (SOFT or HOT), smell (SMELLY) or sound (LOUD)
    4. identifying verb signs (SIT, EAT, FEEL, WONDER, HAVE) and recognising that they are central to a clause
    5. recognising that there is no verb ‘to be’ in Auslan
    6. understanding that a clause is one or more signs expressing a single idea and that a clause has at least one verb, but often one or more nouns as well, for example,
      CALL-him
      I called him.
      MAN THERE GO-TO POSS3 HOUSE
      That man went to his house.
      BIG MONSTER SCREAM
      A big monster screamed.
      Auslan video
    7. recognising different nouns in clauses, including those that are shown with a pointing sign, such as GIRL READ versus PRO3 READ, or VISIT FRIEND versus VISIT PRO3
    8. noticing that Auslan has more flexibility in word order than English
    9. distinguishing between clauses that are statements and those that are questions
    10. knowing that signing involves either telling with signs or showing with DSs and periods of constructed action (CA)
      MAN WALK SLOW
      DS(point):man-walks-slowly
      CA:man-swinging-arms-nonchalantly
      Auslan video
  4. Understand that texts are made up of units of meaning, such as words, gestures or sentences/clauses and that different types of texts have particular features that help serve their purpose (VCASFU015)
    1. recognising that texts are made up of one or more clauses which together make meaning
    2. recognising that different signed texts serve different purposes, and discussing and comparing these purposes (for example, the text genre procedure is to explain how, a narrative is to narrate, tell or entertain)
    3. identifying characteristic structures and features of particular types of Auslan texts and noticing how they suit the intended purpose, for example, the expression of emotions in a recount compared to presenting facts in an information report
    4. identifying different signs used by a signer to refer to the same person in a text, considering how this helps to maintain interest and understanding
Language variation and change Elaborations
  1. Understand that all languages including signed languages vary and borrow words and signs from each other (VCASFU016)
    1. understanding that there are two main Auslan dialects: the southern dialect used in Victoria, South Australia, Western Australia, the Northern Territory and Tasmania and the northern dialect used in New South Wales, Queensland and the Australian Capital Territory
    2. viewing videoed examples of Auslan signers from different parts of Australia, identifying the different signs used in southern and northern dialects, for example, signs for colours and some numbers
    3. noticing that words such as proper nouns for names of people, places or schools are borrowed from English by fingerspelling and mouthing, but some also have sign names
    4. recognising that Auslan borrows from other languages just as English does, and collecting words and signs used in their everyday lives that come from different signed and spoken languages
    5. noticing the variation in ‘handedness’ between signers in relation to signs and fingerspelling: right handers using their right hand as their dominant (main) hand; left handers doing the opposite
Language awareness Elaborations
  1. Recognise that Auslan is a legitimate language, one of many languages used in Australia and around the world (VCASFU017)
    1. identifying different languages used by their classmates or members of their families, for example by creating a class profile or language map
    2. exploring similarities and differences between the many languages used in Australia and represented in the school, including spoken and signed Aboriginal and Torres Strait Islander languages, and comparing the ways different languages use writing, sound/speech, gestures, drawings, art and signs to communicate
    3. recognising the unique nature of signed languages and understanding that there are many different signed languages in use around the world, including in Aboriginal and Torres Strait Islander communities, and that there is not one ‘universal’ signed language
    4. recognising that Auslan is a legitimate language, different from mime and gestures such as those used to accompany songs in spoken languages
Role of language and culture Elaborations
  1. Understand that people use language in ways that reflect their culture, such as where and how they live, who they live with and what is important to them (VCASFU018)
    1. recognising that people from different places and backgrounds may use different languages and have ways of living and communicating that differ from their own
    2. appreciating that culture and cultural difference means that people may value different things or live differently, and noticing observable examples of such difference, such as ways of greeting (bowing versus shaking hands) or conveying information (through words versus signs)
    3. exploring how hearing people live in ways that may be different from how deaf people live, for example by responding to stimuli such as: Compare how deaf and hearing people know someone is at the front door. or How do deaf and hearing people wake up in the morning?
    4. recognising the importance of facial expression, eye gaze and non-manual features in conveying information in a visual-gestural language and culture
    5. recognising the importance of language, community and culture in relation to their own lives and in relation to other language groups and their communities
    6. considering how some spaces make deaf people feel comfortable, for example, contexts where distance between signers allows for easy visual access

Foundation to Level 2 Achievement Standard

By the end of Level 2, students interact with the teaching team, class visitors and each other to share information about themselves, their families, friends, routines, pastimes and experiences. They use fingerspelling or sign names as appropriate and lexical adjectives or size and shape specifiers (SASS) depicting signs (DS) to describe the appearance and characteristics of family members, friends or teachers, for example, POSS1 BROTHER OLD++ TALL SKINNY or POSS3 SISTER FRECKLES. Students recount shared and personal experiences and favourite activities, using plain or indicating verbs that are modified, such as PRO1 GO-TO-right, PLAY-continuous, RETURN-left, or LAST-WEEK PRO1-plural VISIT NANNA. They sequence events correctly using time markers such as YESTERDAY, LAST-YEAR, TWO-DAYS-AGO. They use everyday social exchanges such as greeting, thanking and apologising, and express feelings through the use of NMFs and lexical signs. They compare likes, dislikes and preferences, for example, PRO1 LIKE APPLE DON’T-LIKE ORANGE. They use appropriate NMFs to ask and respond to a range of wh- questions and yes/no questions. They indicate agreement/disagreement or understanding/lack of...

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F–10 Sequence Levels 3 and 4

Levels 3 and 4 Description

Students recognise and apply elements of Auslan grammar, such as marking manner or aspect on verbs. They use increasingly sophisticated means of showing constructed action, and of using space to track a character or location through a text for purposes of cohesion. They develop metalanguage for talking about language, understanding and using terms such as fully- or partly-lexical signs, entity...

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Levels 3 and 4 Content Descriptions

Communicating

Socialising Elaborations
  1. Communicate with each other and with teachers about aspects of their personal worlds, daily routines, preferences and pastimes (VCASFC019)
    1. sharing feelings about important experiences or events, for example:
      PRO1 EXCITED HOLIDAY SOON
      I am excited about the holidays.
      POSS1 FRIEND CHANGE OTHER SCHOOL PRO1 SAD
      I was sad when my friend moved away.
      Auslan video
    2. discussing preferences in relation to school or community activities, using comparatives and superlatives
      PRO1 LIKE MATH, SCIENCE BUT POSS1 FAVOURITE ART
      I like maths and science, but my favourite subject is art.
      Auslan video
    3. comparing routines or activities, using signs for time, sequence and location, such as:
      WHAT TIME PRO2 GO-TO-BED?
      What time do you go to bed?
      EVERY MONDAY POSS1 CLASS LIST-BUOY-1 READING LIST-BUOY2 MATHS LIST-BUOY-3 SWIMMING. POSS2 CLASS G:WELL?
      Every Monday my class has reading, then maths, then swimming. What about your class?
      Auslan video
    4. telling each other about daily routines or habits showing aspectual marking on verbs to indicate frequency, such as brushing teeth for a long time
    5. interacting with younger children or with people who are just beginning to learn to sign, adapting language to suit the situation
    6. describing actions and activities using NMFs to show manner, for example, PRO1 WORK versus PRO1 WORK-hard
    7. participating in online exchanges such as vlogs to compare daily routines or interests with other deaf children or families
    8. using persuasive language in social interactions with each other, for example:
      PLEASE POPCORN GIVE-me++ BEG?
      Please can I have some of your popcorn?
  2. Contribute to class activities and shared learning tasks that involve transacting, planning and problem-solving, using collaborative language (VCASFC020)
    1. working together in shared tasks such as cooking, craft activities or creating displays, signing questions or statements, for example:
      BOOK WHICH WANT MAKE WHICH? PICK.
      Which recipe do you want to make? You choose.
      PLEASE PRO2 BRING SCISSORS PLUS PAPER?
      Can you please bring scissors and paper?
      Auslan video
    2. negotiating roles and responsibilities and expressing preferences when working on shared projects, using expressions such as I would prefer to do that; What job do you want to do?
      PRO1 FILM PRO2 QUESTION-her
      I’ll film; you ask her the questions.
      Auslan video
    3. contributing to the development of a set of class rules
    4. engaging in activities such as treasure hunts that involve making choices, solving problems and giving and following directions, for example:
      LIBRARY IN DS:turn-right AUSLAN DICTIONARY DS:fat-book SHELF++ THAT. PLEASE BRING-me
      Go into the library, turn right and the Auslan dictionary will be on the second shelf. Bring that back to me.
      Auslan video
    5. playing games that involve the exchange or discovery of hidden information, using descriptive language and appropriate questioning, for example:
      HAVE BROWN EYES CURLY HAIR?
      Does he have brown eyes and curly hair
      CAN COOK WITH?
      Can you use it for cooking?
      Auslan video
    6. checking on understanding when completing learning activities, for example:
      KNOW WHAT PRO1 MEAN?
      Do you know what I mean?
      THIS PRO2 FINISH THIS?
      Do you think that’s finished now?
      Auslan video
    7. participating in games that involve turn-taking, active watching, memory and information exchange
    8. working together in design projects such as short films or displays to demonstrate content knowledge from different curriculum areas, sharing decisions about content, vocabulary and sequencing
  3. Adjusting and responding to language and behaviour for various purposes in the classroom and wider school community, for example by asking and responding to questions, and indicating understanding (VCASFC021)
    1. asking for repetition and clarification, for example:
      WHAT?
      What was that?
      PLEASE AGAIN SIGN
      Please sign that again.
      WHAT MEAN?
      What do you mean?
      Auslan video
    2. responding to instructions when completing work or preparing for class
    3. adopting different roles for effective group or pair-work interactions, such as group leader, note taker or reporter
    4. using appropriate protocols when gaining the attention of a group, such as flashing lights, waving, multiple tapping or foot stomping in some contexts, waiting for eye contact or pauses in signing and using language such as EXCUSE or SORRY INTERRUPT or QUICK INTERRUPT when interrupting a conversation
    5. responding appropriately to impromptu or more formal class and school announcements, such as assembly procedures
    6. indicating understanding, for example:
      RIGHT-YEAH
      Aaah, right.
      Auslan video
    7. clarifying points of information, for example by asking:
      PRO2 MEAN…?
      Do you mean …?
      THAT RIGHT?
      Is that right?
      …RIGHT PRO1?
      … am I right?
      Auslan video
    8. using eye contact and clear signing with peers, teachers, visitors and community members
    9. using an increasing range of interaction skills, such as initiating, maintaining and changing topics, remaining on task and taking turns in conversations
    10. understanding how to walk between signers engaged in conversation without interrupting
    11. developing appropriate conversational behaviours such as sharing ideas, acknowledging and extending others’ contributions and making use of discourse markers, fillers and NMFs, such as:
      SURPRISE
      oooh (with appropriate intonation)
      INCREDIBLE
      No way!
      WOW
      Wow!
      UM
      um
      Auslan video
    12. understanding and producing phrases to encourage and praise each other, for example, GOOD, EXCELLENT, CONGRATULATIONS
Informing Elaborations
  1. Collect, classify and paraphrase information from a variety of Auslan texts and sources used in school and in the Deaf community (VCASFC022)
    1. recalling specific points of information in signed classroom instructions or descriptions and responding to comprehension questions in Auslan
    2. paraphrasing the content of selected community texts, such as public service or promotional announcements on the Deaf Emergency Info website
    3. conducting an interview with a member of the Deaf community and reporting back to the class on key points
    4. using factual questions to request information about planned events or activities, for example in relation to details such as place, time or cost
    5. surveying peers about interests, preferences or routines, presenting findings in formats such as profiles, charts or graphs
    6. locating, organising and presenting information from Auslan resources related to other learning areas, such as science materials or cooking demonstrations, for example, Sign & Cook for Kids (Auslan Storybooks)
    7. learning new Auslan vocabulary and language structures through interacting with Deaf visitors and mentors, recording the new language in personal sign dictionaries
  2. Conveying information about aspects of school, culture and community, using knowledge of the intended audience to modify content (VCASFC023)
    1. assembling an information pack about their school to support newly arrived deaf students using Auslan and visuals, including a signed glossary of the most relevant signs
    2. conveying information about cultural events, for example a digital report about a Deaf visitor for a school newsletter or a class website
    3. presenting factual information related to cultural activities and significant events such as Deaf festivals or sporting events, using visual supports such as a timeline
    4. explaining a favourite computer game, sport or playground game to a younger audience, highlighting key terms and supporting the information with pictures, gestures and demonstrated actions
    5. planning, rehearsing and delivering short presentations on chosen topics that take into account the particular purpose and intended audience
    6. relaying messages between different members of groups/teams during different stages of a group activity such as a cross-country or relay event, noting any changes in meaning or content at the end of the process
    7. signing a weekly informative text such as announcements, news updates or weather forecasts for the school website
Creating Elaborations
  1. Engage with imaginative texts such as stories, games, poems or cartoons, to demonstrate comprehension and express enjoyment

    [ Key concepts: story, emotion, expression, humour; Key processes: identifying, expressing emotion, re-enacting, experimenting, shadowing]

    (VCASFC024)
    1. viewing a signed story that involves progressive action, tension and resolution
    2. identifying how signers use space to track a character or location throughout a text
    3. viewing and responding to a range of Deaf poetry for children, for example by creating an alternative ending or extra verse
    4. using NMFs to express changing emotions such as anticipation, fear or relief in response to elements of live or recorded signed stories
    5. viewing and responding to short recorded skits, for example by re-enacting favourite elements and modifying manner or aspect to provide additional emphasis or expression
    6. freezing cartoons or video clips of people/animals in amusing situations, signing a commentary on what has just happened and predicting what might happen next
    7. experimenting with different Auslan parameters to create and perform examples of gestural humour, as modelled in performances by companies such as the Hong Kong Theatre of the Deaf
    8. participating in games that focus on modifying manner or aspect for effect
    9. viewing a theatre performance designed for a deaf audience and sharing their reactions to the experience of viewing a theatre performance designed for a deaf audience
    10. engaging with different examples of Deaf humour or Deaf jokes and comparing them with examples of humour in spoken English or in silent films or mime
    11. shadowing signed elements of theatrical or cinematographic texts that use handshapes, such as the scene with hand-faces in the film Labyrinth
    12. comparing two signed versions of a story such as ‘The Hare and the Tortoise’ and indicating their preference for one version over the other
    13. responding to elements of signed stories such as refrains or exclamations, for example by shadowing repeated signs, movements or facial expressions
  2. Create or adapt imaginative texts and expressive performances that feature favourite characters, amusing experiences or special effects (VCASFC025)
    1. performing stories for a live audience with a focus on the visual communication of emotion and humour
    2. adapting an element of a familiar cartoon or story to achieve a different effect, for example by varying the use of manner
    3. adapting a signed advertisement for a product popular with their age group to create a change in effect, for example by inserting additional elements, mood or characters
    4. signing stories or participating in play-based activities that require the use of constructed action to represent other people’s actions, thoughts, feelings or attitudes
    5. adapting key elements of a popular picture book to create a short signed performance suitable for younger children being introduced to Auslan
    6. experimenting with the genre of storytelling, adapting the use of signing space and signing techniques and changing perspectives according to character
    7. performing an adaptation of a humorous story with two or more characters, using elements of constructed action such as shifting eye gaze and head orientation
    8. creating the next scene, a new character or an alternative ending for a signed fable, short story or cartoon
    9. choreographing and performing music-less dance, focusing on matching timing, beat and rhythm
    10. creating original handshape poetry to present at a school assembly or community festival
    11. playing with light and shadow, handshapes and movement, for example in shadow puppet performances
Translating Elaborations
  1. Translate high-frequency signs/words and expressions in simple texts such as repeated lines in a story or captions, noticing similarities, differences and instances of equivalence (VCASFC026)
    1. comparing key signs in Auslan used in versions of children’s stories, for example, ‘Jack and the Beanstalk’, to English words used in written texts, and noticing how signs can convey rich, multilayered meaning which might not have a direct match in English captioning
    2. playing matching-pair games with Auslan sign flashcards and English word cards, matching cards in both languages associated with concepts such as weather or animals
    3. discussing the types of words/signs that seem to have direct matches/equivalents and those that equate to chunks of English in a single sign, for example GO-TO meaning to travel to/to attend/to go to in English
    4. identifying the iconicity of some signs, such as RAINBOW or DRINK, and how similar they are to the object/referent, and discussing how this transparency might help ‘translatability’ of concepts for non-signers
    5. identifying a list of gestures used by deaf people that might be easily understood by hearing people, for example, head nodding and shaking, pointing to the wrist for time, shrugging shoulders for don’t know
    6. creating a class signed translation of repeated lines in familiar children’s stories, such as I’ll huff and I’ll puff and I’ll blow your house down and filming segments of such stories to screen to younger children in story reading sessions
  2. Create bilingual versions of different types of texts, such as captioned recordings of Auslan phrases or classroom resources such as posters and digital displays (VCASFC027)
    1. creating captions in English for basic recorded signed texts, for example, a ‘welcome to the school’ video
    2. creating bilingual texts for the classroom or school community, such as posters including signed images or digital library displays, and discussing how to represent meaning in different languages for different audiences
    3. creating cards for use by younger children that contain pictures, labels and signs, for example, cards relating to different forms of transport
    4. making their own bilingual picture dictionaries with English labels, images and simple descriptions of signs, identifying and categorising signs according to handshape
Identity Elaborations
  1. Consider how individual and community relationships combine to create family and social networks, influence social behaviours and contribute to a sense of belonging and identity (VCASFC028)
    1. creating individual family trees and identifying deaf and hearing family members
    2. interacting with Deaf elders to discuss visual ways of being, interacting and behaving associated with identity
    3. designing visual representations such as concept maps, posters or captioned slide presentations to show individual and group connections within the Deaf community such as friendship, family or sporting groups, or state and national Deaf community associations, discussing how these contribute to a sense of identity
    4. exploring the concept of ‘family’ as it relates to the Deaf community, considering how it extends beyond the traditional concept to include broader social networks
    5. explaining how deaf families play a key role in language maintenance and shared sense of identity across generations
    6. exploring how name signs are created and form part of an individual identity, for example by providing contemporary examples such as signs for their peers, teachers and Deaf elders
    7. using a vlog journal entry to discuss how having peers who share the same language develops social bonds, personal confidence and a sense of shared identity
    8. responding to presentations by Deaf visitors to the classroom who share their experiences of education, family life, social networks, community and sense of identity, for example by discussing similarities and differences to their own lives
    9. sharing views on why certain places have special significance to the Deaf community, evoking a sense of belonging and pride and representing particular bonds between people, place and experience, for example, Deaf schools or sites of historic significance such as original Deaf Society/Mission buildings or other former meeting places
    10. identifying how deaf people share modifications to space to maximise visual attention, such as adjusting seating or removing visual obstacles
Reflecting Elaborations
  1. Describe some ways in which Auslan and associated communicative behaviours are similar to or different from wider community spoken languages and forms of cultural expression (VCASFC029)
    1. reflecting on their observations of similarities and differences between ways of communicating in Auslan and in Australian English in different social situations, for example, when greeting/leave-taking, introducing people or using body language, facial expression and eye contact
    2. considering the impact of the increased use of Auslan among their hearing peers when members of their school community are learning Auslan, and reflecting on their experience of interacting with these learners
    3. comparing their own and each other’s reflections on the experience of learning and communicating in English as a second language
    4. reflecting on similarities and differences in communication that relate to culture, such as the extent of incidental learning available to hearing children compared to deaf children through interaction with their external environment, for example by overhearing conversations or news on the radio
    5. reflecting on the need for sustained eye contact when using Auslan in order to understand a message and before teacher instructions can proceed, and considering how this differs for hearing students in a spoken language environment
    6. describing how it feels to use Auslan to communicate outside their inner circle or school, or to watch Auslan being used by others, for example by responding to questions such as What are the main differences you notice when observing a conversation between deaf people and one between hearing people?

Understanding

Systems of language Elaborations
  1. Identify and demonstrate how the formational elements of handshape and its orientation, movement, location and non-manual features can be arranged in signs which may be iconic, and explore ways of recording Auslan (VCASFU030)
    1. noticing the orientation of handshapes in signs
    2. identifying and demonstrating signs with a change in handshape, for example FIND or BEST
    3. identifying and demonstrating signs with a change in orientation, for example CAN-NOT or HOW
    4. distinguishing between single, double and two-handed signs, and identifying which hand is dominant and which is non-dominant in two-handed signs
    5. thinking of body-anchored signs, such as HEAD or WHY, and signs that are not body anchored, such as HAVE or STOP and recognising that non-body anchored signs can be located in space around the signer
    6. understanding that NMFs can also be an element of a sign and can show emotional states such as a happy expression or grammatical information, for example, a frown to mark a negative
    7. comparing iconic signs that provide visual images of referents, such as DRINK, ELEPHANT, with English words that map to the sound images of the referents, such as animal noises, or words for sounds such as bang
    8. describing how the movement changes between groups of related numbers, for example, 5, 15, 50, 5th
    9. learning to film themselves and analyse the video or to read simple glosses produced by the teacher, and understanding that the English word used is often not an exact match for the meaning of the sign
  2. Observe that signers can include different information, including gestural overlays, within a single sign, and identify examples of signers using space grammatically through points, depicting signs and constructed action (VCASFU031)
    1. recognising that Auslan has fully-lexical signs that are in the dictionary and have a standard handshape, movement and location, and partly-lexical signs that cannot be listed in a dictionary in all forms as they change their form each time they are signed, such as DSs
    2. noticing that fully- and partly-lexical signs can include grammatical information not included in a ‘citation’ form, for example, the sign TELL -me is not listed separately to TELL (towards neutral space) and GO-TO includes GO-TO -often
    3. discussing the functions of different pointing signs, such as pronouns, determiners and locatives
    4. understanding that some verb forms in Auslan indicate who is involved in a verb by changing the direction of the movement or orientation of the handshape
    5. noticing the relationship between the location of referents and the direction of some indicating verbs
    6. recognising who is the actor and undergoer of the verb in a clause
    7. identifying with support examples of DSs and becoming familiar with the terms entity, handling and SASS DSs
    8. comparing English adjectives with SASS DSs
    9. knowing that signers can reconstruct/act out their own or another’s talk and/or actions and that this is called CA
  3. Understand that clauses can be enriched through the use of adjectives and adverbs (when, where, how), often produced with non-manual features (VCASFU032)
    1. exploring different semantic types of verbs in a text, for example by showing how:
      • doing (WALK, WRITE) and saying (TELL, CALL-OUT, ANNOUNCE) verbs in narrative texts give information about a characters’ actions
      • sensing (SEE, THINK) or possessing (THAT’S-TYPICAL-OF-THEM, OWN) verbs indicate what characters think, feel or own
      • relating verbs identify or describe a noun (for example, HAVE in PRO3 HAVE LONG-HAIR)
    2. noticing that some signs modify the meaning of verbs, such as READ CAREFUL and that these are called adverbs
    3. contributing examples of signs that tell:
      • when a verb happens (IN-2-WEEKS PRO1 HOLIDAY or WANT LUNCH NOW)
      • where a verb happens (PRO3 RUN FAR or COME HERE)
      • how a verb happens (FAST or SLOW or PRO2 QUICK FINISH)
    4. noticing that sometimes Auslan signers have information about how a verb happens through NMFs rather than separate signs, for example, WRITE -carelessly
    5. noticing that clauses can be made more vivid by integrating CA or DSs to show with body or hands or by showing adverbial or adjectival meanings
    6. understanding that, in terms of meaning, a basic clause represents: a happening or a state (verb), who or what is involved (noun or nouns) and the surrounding circumstances (adverb or adverbs)
    7. distinguishing between yes/no questions and wh- questions and noticing that each type of question has different NMFs
  4. Understand how signers make different language choices in different types of texts depending on the purpose and intended audience, and explore how space is used in Auslan for purposes of textual cohesion (VCASFU033)
    1. noticing that differing purposes in the creation of Auslan texts result in differing types and amounts of signing, for example, the use of more CA in narratives
    2. comparing a short text in Auslan with an equivalent type of English text (for example, a recount in both languages) and noticing similarities and differences in structure and language features
    3. identifying with support, examples of signers associating non-present referents with locations in signing space
    4. identifying examples of signers pointing to an established location to refer to something
    5. identifying how signers establish locations and noticing how this helps the audience to recognise who or what the referents are (actor and undergoer)
Language variation and change Elaborations
  1. Recognise that there is variation in Auslan use, for example in different locations or physical environments (VCASFU034)
    1. exploring similarities and differences in Auslan dialects through building webcam relationships with other schools or through identifying and collecting signs that differ in the ‘northern’ (NSW, Qld and ACT) and ‘southern’ (Vic., SA, WA, NT and Tas.) dialects, such as DINNER or AFTERNOON
    2. recognising that variation also occurs in spoken languages and noticing some different words for the same thing in English, such as cossie/cozzie, togs or bathers
    3. identifying Auslan signs or informal home signs that might be different from signs used by other people
    4. considering adaptations to Auslan use when communicating in different physical environments, such as in video chats, across a large yard, or when one or both hands are occupied, for example, variations in vocabulary, size of signing space, clarity of signs, use of fingerspelling and NMFs
    5. recognising variation in adaptation of signing between different users of Auslan, for example, people who are deafblind use hand-over-hand signing and tactile fingerspelling
Language awareness Elaborations
  1. Develop awareness of the social and cultural nature and context of Auslan and other sign languages, of their different modes of expression and of the related issue of language vitality (VCASFU035)
    1. identifying different ways Deaf community members communicate with each other and with members of the wider hearing community, including face to face or via technology such as NRS or VRS, through social media, the use of English or the use of interpreters
    2. describing the visibility and use of Auslan in the wider community, for example in television programs; on the news; at community events, sporting fixtures; and in emergency announcements
    3. recognising that Aboriginal and Torres Strait Islander peoples’ use of signed languages is culturally determined and shaped by their beliefs and values
    4. exploring the vitality of Auslan and other spoken and signed languages, appreciating that a language with strong vitality is one used by many people in the home and other domains, across generations, to talk about most topics
    5. understanding that some languages used in Australia such as English have large numbers of users, while others, such as many spoken and signed Aboriginal and Torres Strait Islander languages, are endangered or in the process of being revived or reclaimed
    6. understanding that Aboriginal and Torres Strait Islander signed languages arise from specific needs, for example, certain cultural restrictions on speech, or the presence of deaf people
    7. identifying behaviours, rights, roles and responsibilities in relation to the ownership and maintenance of Auslan, and identifying how this ownership rests with the Deaf community and is determined by traditional social groupings/families, place, history and stories
Role of language and culture Elaborations
  1. Explore connections between identity and cultural values and beliefs and the expression of these connections in Auslan (VCASFU036)
    1. exploring culture as an essential part of human life, understanding that it is shared and passed on between generations and is closely connected to language and to identity
    2. understanding that culture is more than the visible aspects of people’s lives; that it also includes invisible elements such as beliefs and values, how people think about themselves and others, how they relate to their social and physical environments, and how these understandings apply to themselves as users of Auslan and members of the Deaf community
    3. recognising that in each culture there are general rules for what to say and do, when, where and with whom, and that these rules differ from culture to culture, for example, the Deaf culture places greater importance on eye contact than cultures that communicate through spoken languages
    4. recognising that language reflects values and beliefs, such as in expressions of personal identity or in the recognition of others (sameness and difference), for example by identifying deaf family members as part of introductions, and by relaying cultural information about background and context and shared knowledge when interacting with others
    5. appreciating the social and cultural nature of deaf humour in a visual language

Levels 3 and 4 Achievement Standard

By the end of Level 4, students communicate with each other, the teaching team and others about aspects of their personal worlds, daily routines, preferences and pastimes at school and in the Deaf community. They show aspectual marking on verbs to indicate frequency when communicating about daily routines, for example pro3 tap-shoulder-repeatedly, and use modifications to show manner when describing actions and activities. They initiate and maintain interaction by using discourse markers such as fillers, checking and clarifying their understanding. They contribute to class activities and shared learning tasks that involve transacting, planning and problem-solving, for example, by giving and following directions, LIBRARY IN DS: turn-right AUSLAN DICTIONARY DS: fat-book SHELF++ THAT. PLEASE BRING-me, expressing preferences, asking for clarification and using persuasive language PLEASE POPCORN GIVE-me++ BEG? They use appropriate cultural protocols in different situations, for example, to gain the attention of a group, such as flashing lights, waving, multiple tapping or foot stomping in some contexts, waiting for eye contact or pauses in signing and walking between signers without...

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F–10 Sequence Levels 5 and 6

Levels 5 and 6 Description

Students draw on grammatical and lexical resources to produce and understand more complex language. With support, they build increasing cohesion and complexity into their language production in both content and expression. Students expand their understanding of Auslan grammatical forms and features, including mastering the range of grammatical NMFs and gaining full control of depicting signs...

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Levels 5 and 6 Content Descriptions

Communicating

Socialising Elaborations
  1. Interact with people for different purposes, using descriptive and expressive language to give opinions, talk about themselves and show interest in others (VCASFC037)
    1. comparing personal experiences and opinions and expressing agreement or disagreement in a respectful manner, for example:
      AGREE YES or PRO1 AGREE
      Yes, I agree.
      PRO1 KNOW WHAT MEAN, BUT…
      I know what you mean, but …
      DOUBT
      I’m not sure
      AGREE-NOT
      I don’t agree …
      Auslan video
    2. using NMFs and eye gaze to gain, hold or finish a turn when communicating in pairs or groups
    3. discussing school experiences or events, for example:
      THEATRE GOOD, LONG-really
      I liked the theatre performance but it was soo long.
      SCHOOL SWIMMING RACE, GOOD BAD, PRO2 THINK WHAT?
      What did you think about the swimming carnival?
      Auslan video
    4. using interactional strategies such as paraphrasing, questioning and interpreting non-verbal cues when communicating with their peers or teacher
    5. participating in online exchanges such as vlogs with deaf Auslan users in other contexts to discuss topics of shared interest, such as peer pressure or family expectations
    6. exchanging views with their peers to identify values that they hold as important, for example, caring for the environment or providing support resources for the deaf community such as subtitles on TV/movies
  2. Collaborate with peers to plan and conduct shared events or activities such as performances, presentations, demonstrations or transactions (VCASFC038)
    1. working in teams to plan an event such as a performance for a younger audience or a presentation for school assembly
    2. negotiating roles, responsibilities and priorities in activities such as cooking or science experiments, making suggestions such as:
      PRO2 THINK BEST THIS FIRST, FINISH, NEXT THAT
      Do you think we should do this first and when that’s done, that next
      Auslan video
    3. and using conditional language such as:
      IF FINISH, CAN NEXT++, IF NOT-YET HEADSHAKE
      If we finish this we can go on to the others; if we don’t, we can’t.
      Auslan video
    4. organising activities such as excursions, using questions such as:
      WE2 MEET WHERE?
      Where are we meeting?
      TIME MEET?
      What time should we get there?
      ARRIVE HOW?
      How are we getting there?
      Auslan video
    5. using digital technologies to prepare a humorous, dynamic perspective on a controversial proposition, such as ‘Homework should be banned’ to present to teachers or parents
    6. playing games that involve working competitively within groups to categorise or classify information
    7. problem-solving in teamwork activities, using language such as:
      HOW FIX SOLVE?
      How can we solve this?
      WHAT DO?
      What can we do next?
      Auslan video
    8. planning, rehearsing and producing a performance for school assembly or parent open night
    9. working in a group to plan a visual story to present to a younger group at school or via video
    10. planning and conducting an interview with a deaf visitor to class, using questions to elicit extra information
    11. working on collaborative tasks that involve negotiation and shared decision-making about content and design, for example, designing a class garden, creating digital picture books for ‘buddy’ classes, or promoting a school event
    12. conducting, recording and presenting observations and findings of collaborative science experiments
  3. Contribute to discussions and shared learning activities by asking and responding to questions to clarify or indicate comprehension, managing interactions and monitoring and evaluating their learning (VCASFC039)
    1. helping to manage discussion, for example by asking specific questions to check meaning, making constructive comments to keep conversation moving, reviewing ideas expressed and conveying tentative conclusions
    2. using strategies that support effective participation in shared learning activities, including signing clearly, pausing for others to respond, asking pertinent questions, rephrasing, repeating and linking their own contributions to those of others
    3. exploring and clarifying others’ ideas and summarising their own, and reporting back to a larger group
    4. engaging in conversations and discussions with guest speakers, using active watching behaviours and contributing their own ideas, questions and opinions
    5. reflecting on their learning experiences, checking on their own and each other’s progress and providing each other with feedback, advice or reminders
    6. sharing information and providing context for a new participant joining a conversation
    7. contributing to discussions by clarifying and critiquing ideas and developing and supporting arguments, using statements such as:
      I FEEL YOU RIGHT TALK OVER …. BECAUSE…
      I think it’s good you are talking about …., because…
      Auslan video
    8. making connections between ideas, actions and effects, using reflective language such as:
      FAIL WHY? BECAUSE THAT DS:length WRONG, FAIL
      Because this happened … then …
      IF LIE++, HAPPEN TRUE, PEOPLE STILL DOUBT.
      If you always lie, when you tell the truth, people will still doubt you.
      Auslan video
Informing Elaborations
  1. Identify, summarise and compare information obtained from different types of Auslan texts or from their own data collection (VCASFC040)
    1. viewing different types of informative Auslan texts, such as instructional sports videos or science demonstrations, showing understanding by responding to questions in Auslan
    2. viewing live or recorded interviews or informal conversations between Auslan users in different situations and contexts, summarising key points and topics covered
    3. collating and analysing information obtained from Auslan media reports on people or events, organising the information visually in a mind map
    4. surveying a range of hearing and deaf people on an issue of shared interest, analysing and presenting results through short signed presentations or in chart, graph or table form
    5. interviewing a deaf adult about their educational experiences and comparing these with their own
    6. summarising and contrasting information contained in two differently sourced Auslan texts on a selected topic
    7. summarising key ideas and information provided by deaf visitors using active watching behaviours and contributing questions and responses
  2. Present information to describe, explain, persuade or report on different experiences or activities in ways likely to engage the intended audience (VCASFC041)
    1. providing step-by-step instructions to peers, for example directions to a location or explanations of how to build a model
    2. creating signed announcements that use persuasive techniques to inform others about upcoming events, for example a Deaf theatre performance or National Week of Deaf People
    3. reporting in digital form on their experiences of shared events such as school camps or concerts to send as feedback to the organisers
    4. creating a video report of an event in Deaf history as a contribution to a shared e-book resource
    5. developing a signed news report or public announcement to inform or alert an imagined audience of a recent or impending natural disaster
    6. providing instructions for a group activity such as a maths or computer game
    7. creating a digital clip or social media post that presents information on a selected issue in ways designed to persuade or dissuade the intended audience, for example an anti-smoking post or a clean-up-the-environment appeal
    8. engaging with deaf visitors from different groups and backgrounds by creating a vlog about the visits and their responses to different identity stories
    9. explaining a new concept encountered in content areas such as geography or history, such as erosion or revolution
    10. preparing a short signed presentation for their peers drawing on information obtained from library resources or media texts on topics related to other curriculum areas such as visual arts or history
Creating Elaborations
  1. Engage with different types of creative and imaginative texts by identifying important elements, discussing ideas, characters and themes and making connections with their own ideas and experience (VCASFC042)
    1. comparing their reactions to imaginative texts that evoke positive or negative emotional responses, making connections with experiences in their own lives that have produced similar feelings
    2. participating in performance activities such as unscripted response-to-stimulus role-plays, recognising how characters’ feelings and attitudes are expressed through NMFs and manner
    3. viewing and comparing expressions of Deaf experience through different visual art forms, such as painting, photography or sculpture, comparing with their own use of visual forms of expression of feelings and experience
    4. drawing comparisons and making connections between their own experiences and those of fictional characters in popular television series or films
    5. comparing the use of rhyme in written verse with the repetition of handshapes and movement paths in signed poetry performance
    6. identifying cultural conventions of Deaf theatre, such as maintaining eye contact and positioning of characters
    7. identifying key messages or values conveyed through folktales, myths or legends, for example by creating mind maps to show relationships between concepts such as courage, loyalty, love
    8. describing the shape and sequence of a shared story or skit, identifying elements such as setting the scene, climax and resolution
    9. considering how different modes of creative expression, such as theatre or visual arts, influence personal response to texts
    10. tracking and reflecting on the experiences of deaf dancers and choreographers, for example as contestants in shows such as So You Think You Can Dance
    11. viewing and responding to sign poetry from around the world, for example by comparing responses to differences and similarities in ‘visual vernacular’
  2. Create live or filmed performances that engage specific audiences and present imagined experiences, people or places (VCASFC043)
    1. working collaboratively to create a filmed episode of a pilot for a new Deaf sitcom, incorporating elements such as conflict, suspense or humour
    2. creating and performing imaginary scenarios that reflect experiences in their own lives
    3. creating a performance for a class or school talent show, such as a signed song, skit or humorous retelling of an anecdote
    4. signing different versions of a familiar short story, changing perspectives according to different characters
    5. creating original stories or short plays for younger learners of Auslan, incorporating scene-setting, action/conflict and resolution, and including opportunities for audience participation
    6. creating a video record of an imagined formal or informal interview, incorporating elements of humour or tension and building character and mood through the use of NMFs and pauses
    7. creating additional dimensions or changing the focus of a fictional experience by varying the use of manner, constructed action, space and aspect
    8. participating in a class storytelling competition, conforming to conventions of character perspective and relationship with audience
    9. creating amusing reinterpretations or spoofs of traditional fairytales, using exaggerated elements of sign and gesture
    10. improvising spontaneous responses to a stimulus such as 'Sixty Seconds to Make the Audience Laugh, Cry …'
Translating Elaborations
  1. Translate a variety of familiar school and community texts from Auslan to English and vice versa, identifying which words or phrases may not readily correspond across the two languages (VCASFC044)
    1. finding and using phrases that have direct sign-for-word translations between Auslan and English, such as Goodnight, Happy birthday and Happy New Year, and some that do not, such as None of your business!
    2. identifying issues associated with translation, such as multiple meanings for words like run, the fact that meaning is not always literal and that sign translations of a word will vary according to the meaning of the concept in context
    3. conducting sight translations of simple English texts such as short news articles
    4. translating short texts such as children’s fairytales, simple song lyrics or a short poem from English to Auslan
    5. translating and explaining the meaning of words or expressions associated with figurative language use in Auslan, such as TRAIN GONE, SORRY and comparing these to English idioms
    6. determining the meaning of technical English words used in other curriculum areas, for example, natural disasters or global warming, demonstrating how they would translate or explain them in Auslan
    7. translating the school song into Auslan, identifying lexical challenges and finding suitable Auslan equivalents to match the English concept
    8. identifying and explaining signs that are not easy to translate into English because of culture-specific meaning and history, for example, signs such as Deaf school
  2. Create their own bilingual texts and learning resources to use themselves or to share with others, such as Auslan–English dictionaries, posts to websites, digital newsletters or school performances (VCASFC045)
    1. composing bilingual texts for class or school assembly performances, events or displays, for example, National Week of Deaf People announcements
    2. using bilingual online dictionaries and electronic tools to compose bilingual texts, for example, captioned Auslan texts such as an online Auslan–English version of a school newsletter
    3. constructing and co-maintaining a bilingual website with a Deaf school
    4. creating bilingual texts for younger children, such as a mini Auslan–English dictionary of school-specific signs
Identity Elaborations
  1. Consider the influence of the Deaf community on identity development, focusing on language, social systems and sense of space and place (VCASFC046)
    1. identifying markers of social and cultural identity that may be important across cultures as well as in the Deaf community, for example, elements of language or behaviours associated with family, community, location, age or gender
    2. building a basic understanding of the concept of Deafhood and of how individual journeys of identity contribute to social relationships and community, for example, by describing their own journey of identity development, including elements such as family, the influence of Deaf role models, significant life events or personal connections with the local Deaf community
    3. working with elders to map relationships and connections within their community, for example by identifying links between notable deaf families, and by considering how personal connections with the community contribute to their sense of identity
    4. investigating the historical origins of signs linked to identities, for example, the signs for LIBRARY and ADELAIDE were derived from original name signs for people
    5. considering how the relationship between language and identity plays a role in contributing to individual, peer group and community wellbeing
    6. exploring how different technologies are used by deaf people to support social networks and strengthen their sense of shared identity
    7. explaining the significance of stories linked to Deaf social history and the responsibility of the Deaf community to convey shared experiences that relate to Deaf space, for example through stories about school days by past pupils
    8. exploring the role of personal narratives in teaching and supporting deaf children to develop strategies to navigate a hearing world, such as carrying paper and pen or smart phone to type notes
    9. learning from Deaf elders about roles and responsibilities with respect to caring for their culture’s places and spaces and preserving a sense of shared identity, for example, by maintaining and passing on artefacts, images and stories, creating new uses for Deaf places or participating in Deaf festivals, fair days and National Week of Deaf People activities
    10. recognising that their first language is a birthright that contributes to their identification with the Deaf community and its traditions
    11. identifying examples of deaf people who have been recognised for different reasons in the wider society, for example, Alastair McEwin, and discussing whether such recognition contributes to their own sense of identity and belonging
    12. interviewing local Deaf elders about their experiences in Deaf schools and other Deaf places and discussing how their experiences create a collective sense of identity
    13. discussing the concept of ‘Deaf gain’ in relation to their personal identity, for example, in using a visual language and being able to communicate from a distance
  2. Reflect on how different language and cultural backgrounds and experiences influence perceptions of Auslan and of the Deaf community and also of the hearing community (VCASFC047)
    1. reflecting on and providing possible explanations for assumptions that hearing people might make about deaf people or about signed languages
    2. examining some misconceptions about hearing people and culture held by members of the Deaf community, for example, that hearing people hear and understand everything, or that hearing people can hear from a distance
    3. identifying how various emotions and attitudes, such as respect, shyness, exuberance or embarrassment, are expressed and may be perceived across different languages and cultures, comparing their experience of such differences in their own interactions with speakers of English or other spoken languages
    4. explaining how their assumptions about users of other languages and ways of understanding the world are changing as a result of intercultural language and experiential learning
    5. reflecting on language and cultural differences in forms of address in signed and spoken languages that need to be taken into account when interacting interculturally, for example, the frequent use of a person’s name when addressing them directly in Australian English but not in Auslan
    6. reflecting on the role of personal storytelling in teaching and supporting deaf children to navigate a hearing world

Understanding

Systems of language Elaborations
  1. Describe the elements of sign production, including non-manual features, and explore the processes of annotating Auslan with multimedia software and/or glossing or transcribing signed texts on paper (VCASFU048)
    1. describing a sign’s form in terms of handshape, hand arrangement, orientation, movement and location
    2. identifying some iconic signs and considering how they are iconic
    3. identifying, demonstrating and describing the various types of NMFs: movements of the eyebrows, eyes, nose, mouth, cheeks, shoulders and body
    4. noticing that, in a stretch of connected signing, a sign will often be produced differently to the way it is shown in a dictionary
    5. understanding that many features of signed languages occur simultaneously, compared to spoken language features which typically occur sequentially
    6. recognising that some signs can occur with a standard mouth gesture and that these are sometimes called multi-channel signs
    7. identifying and classifying examples of DSs and CA in a video text using video annotation software, for example, ELAN
    8. ‘reading’ a glossed text, including interpreting the markings that show how a sign is modified in space, NMFs, DSs and examples of CA
    9. glossing a text with support, identifying what signs are used, any NMFs, and using a system of recording handshapes when describing DSs
  2. Identify different types of verbs based on their ability to integrate space into the sign, and recognise types of depiction available to a signer, namely, entity, handling and SASS depicting signs and constructed action (VCASFU049)
    1. identifying where and how a signer has established a location in space, for example through the use of points, non-body-anchored signs or fingerspelled words
    2. distinguishing, with support, between directional and locational indicating verbs, and noticing that verbs differ depending on whether modification of movement happens at the start, end or start and end of a sign
    3. identifying examples of DSs in an Auslan text, and recognising that handshape and movement represent different things in each type of DS, for example:
      • entity DSs: the handshape is an object or person, and the movement is the movement or location of that object or person
      • handling DSs: the handshape represents a person’s hands touching or moving another object, and the movement shows how the hands move
      • SASS DSs: the handshape and movement outline the shape or size of something
    4. learning that the function of CA is to represent the words, thoughts or actions of a protagonist in a text, either themselves or another
    5. knowing that in CA a signer can shift into the role of another, or themselves at a different time, through eye gaze change, body shift, head orientation change, and matching facial expressions
  3. Understand that the starting point of a clause gives prominence to the message, that clauses can be linked equally or unequally with conjunctions and connectives, and that signers can show as well as tell about an event to provide more detail (VCASFU050)
    1. recognising that quantifiers such as FEW or THERE are also types of adjective signs
    2. recognising that some adverbs modify adjectives, not verbs, for example VERY and that these modifications to adjectives can also be expressed with NMFs, for example changes in mouth patterns and movement of signs can intensify adjectives, for example, RED -really, PLEASED -really, TALL -really
    3. distinguishing between the citation form of a sign and the adverbial NMF overlaid and what meaning each part carries, for example: MAN SPRINT (base form), MAN SPRINT-fast (manner added)
    4. recognising how conjunctions such as PLUS, IF or BUT are used to join clauses and create cohesion
    5. recognising that clauses can be linked equally, for example:
      STUDENT BORED, TRY FOCUS
      The student was bored and tried to focus.
      Auslan video
    6. or unequally, where one clause depends on another, for example:
      I-F BORED, OPEN-BOOK READ
      If you are bored, read a book.
      Auslan video
    7. recognising that the element of a clause that a signer wants to focus on most in Auslan is sometimes moved to be signed first and that this process of topicalisation involves particular NMFs
    8. noticing that word order within a clause is freer in Auslan than in English and that parts of a clause can be signed simultaneously, making it hard to establish word order
    9. realising that in many clauses signers ‘tell’ with fully-lexical signs at the same time as ‘show’ with DS, CA and other gestural elements
    10. recognising that some nouns are not signed overtly in a clause, for example in the clauses below, the noun (the swimmer) is given in the first clause but not repeated in the second
      PRO2 SWIM DETERMINED SWIM, NOT WIN
      You swam really hard but you didn’t win.
      Auslan video
  4. Identify structures, language features and cohesive devices used in different types of texts, recognising that language choices reflect purpose, context and audience (VCASFU051)
    1. examining different examples of an Auslan text type (for example, one to inform or one to persuade) and identifying choices signers made, for example the amount of fingerspelling they used
    2. noticing how signers achieve textual cohesion and coherence through the use of connectives that create links between clauses, for example BUT and G:WELL
    3. identifying the many ways signers can refer to the same referent in a text, for example by using DSs, points, list buoys, and how such strategies support understanding
    4. annotating in ELAN or similar software where a signer is using established locations to refer to a noun referent
Language variation and change Elaborations
  1. Explore variation in terms of the impact of other languages on Auslan across contexts and over time (VCASFU052)
    1. noticing different ways that English words are borrowed into Auslan, for example, the use of fully fingerspelled words, such as D-U-E, N-O-U-N, the fingerspelling of the first letter of corresponding English words, for example TOILET, FATHER, or abbreviations of English words, for example, state names: S-A, N-S-W, V-I-C, T-A-S, and organisation names: N-A-B-S, W-A-A-D, N-S-W-A-D, D-C-S-S-A
    2. creating lists of fingerspelled words which have become lexicalised, for example, HOW, BUT, ABOUT, FOR, and looking at how this process has changed the form of words over time
    3. recognising that Auslan includes loan signs from Signed English, some of which were invented for Signed English (for example, TOY or DAD) and some that were from the southern dialect and incorporated into Signed English, for example, YELLOW
    4. looking at style shifts in domains where English is in closer contact with Auslan, such as the use of more English-like structures in formal and educational settings
    5. explaining the influence of other signed languages such as BSL, ISL and ASL on Auslan over different periods of time and discussing reasons for such influence
Language awareness Elaborations
  1. Explore the current status and profile of Auslan and of the Deaf community in contemporary Australian society, considering issues such as language transmission, usage and documentation (VCASFU053)
    1. discussing the diversity of Auslan users in the Australian community, including people who are deaf, those who are hard of hearing and hearing people such as CODAs and interpreters
    2. investigating the signed languages used by deaf and hard of hearing members of Aboriginal and Torres Strait Islander communities
    3. exploring variation in Auslan fluency among classmates and members of the Deaf community, considering the relevance of factors such as where and when individual users learnt to sign and whether they are from a Deaf or hearing family
    4. mapping sign language use around the world using data from Ethnologue, for example by identifying and labelling countries with correct naming of the sign language used, such as France = LSF: Langue des Signes Française; Germany = DGS: Deutsche Gebärdensprache
    5. finding representations of signing deaf people in the media or in literary texts, and evaluating how they and the language are represented
    6. investigating the profile and distribution of members of the Deaf community, for example across states of Australia or by age or gender, using data from censuses and other sources to summarise and represent information in graph/visual forms, and to suggest possible explanations of patterns or statistics
    7. understanding the role and function of Auslan–English interpreters and Deaf interpreters and the access and opportunities they provide to language users
    8. recognising that many languages are well-documented, strong, healthy and widely used by many people across generations while others are less documented and robust
    9. recognising that some languages have no written form and have historically been passed on face to face/orally, which means that they are less well recorded or documented
    10. recognising language documentation as an important means of recording, maintaining, transmitting and revitalising a language
    11. understanding the nature of transmission of Auslan, for example, that in most cases Auslan is not passed on from parent to child but from peers, or is learnt by children from adults outside the family, and that some deaf people learn Auslan later in early adulthood
    12. describing how Auslan has been transmitted across generations and how it has been recorded, investigating reasons for the ‘oral’ tradition language transmission
    13. using the UNESCO atlas to map the world’s minority languages and those that are in critical endangerment and to document the vitality of signed languages
Role of language and culture Elaborations
  1. Reflect on how communities’ ways of using language are shaped by and reflect cultural values and beliefs, and how these may be differently interpreted by users of other languages (VCASFU054)
    1. explaining the role of Auslan and Deaf culture in maintaining, reflecting and strengthening the Deaf community and its networks and significant places
    2. understanding that knowledge about past and present Deaf people and cultural experience and values is embodied in and transmitted through Auslan, for example ways of producing the sign for SIGN reflects cultural values placed on fluency
    3. identifying the cultural importance of different elements of communication, such as the use of signing space and proxemics by Auslan users, particularly in relation to a person passing between two signers or the positioning of communication partners
    4. identifying cultural differences between the use of personal names in Auslan and other languages, such as the fact that Auslan signers do not use a person’s name when addressing them directly as do users of many spoken languages
    5. recognising that different types of expressive and imaginative performance in Auslan carry cultural as well as linguistic information, for example, a film or theatrical performance that represents typical miscommunication experiences
    6. understanding that ‘sound’ is accessed differently in Deaf culture, that the meaning and importance of sound in deaf people’s lives is usually not the same as in hearing people’s experience
    7. exploring ways in which deaf people’s art incorporates sign language motifs and images as forms of cultural expression
    8. analysing stories about deaf people’s history for the ways in which they embody cultural values and information, for example accounts of Thomas Pattison, FJ Rose and William Thomson establishing the first schools for deaf children

Levels 5 and 6 Achievement Standard

By the end of Level 6, students use Auslan to interact with people for a range of different purposes. They use descriptive and expressive language to share and compare experiences, ideas and opinions, such as THEATRE GOOD, LONG -really, LONG-really. They participate in class discussions and show interest and respect for others, for example by using active watching behaviours, signing clearly, pausing for others to respond, asking pertinent questions, making constructive comments, rephrasing, repeating and linking their own contributions. Students use non-manual features (NMFs) such as eye gaze to gain, hold or finish a turn when communicating in pairs or groups. They provide context for a new participant joining a conversation, PRO1 TALK-OVER MATH TEACHER. They use action-oriented language to make shared arrangements, organise events and complete transactions, negotiating roles, responsibilities and priorities and taking into account the views of others.

Students locate, summarise and compare information from a range of sources. They present information on selected issues to inform, alert or persuade people, for example, by creating announcements to inform about an emergency or...

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F–10 Sequence Levels 7 and 8

Levels 7 and 8 Description

Students continue to expand their language use to additional domains beyond their personal experience and interests. They use a range of grammatical forms and language structures to convey more complex relationships between ideas and experiences, creating compound and complex sentences by using lexical conjunctions as well as NMFs. They become increasingly aware of the rich choices available...

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Levels 7 and 8 Content Descriptions

Communicating

Socialising Elaborations
  1. Initiate and sustain interactions to share ideas and interests, report on experiences, offer opinions and connect with events in their school and local community (VCASFC055)
    1. exchanging opinions about topics such as food, sport, lifestyles, health, music or travel
    2. participating in videoconferencing to compare and contrast aspects of their school experience, for example by communicating online with deaf students from different schools in another state/territory
    3. discussing the relationship between events in their school or local community and interest groups they identify with by conducting an in-class survey
    4. describing aspects of their school, community, home or social lives, for example:
      SCHOOL DS(5CLAW):located-at DS(C):l-shape…
      The school is located here, and then there’s a large L-shaped building on the right.
      WEEKEND, I VISIT HEARING FRIEND WE2 WATCH MOVIE OR DS:2-people-walk SHOPS OR SOMETIMES STAY HOME DS:press-console
      On the weekends, my hearing friend and I like to go to the movies or the shops, but sometimes we just play video games.
      Auslan video
    5. offering opinions about issues under consideration in their class or school community, such as their school policy on social media use
    6. developing narrative and expressive skills by exchanging accounts of personally significant influences, experiences or milestones, identifying common experiences, such as describing their favourite holiday or their personal hero
    7. comparing their experience of involvement in the Deaf community, and sharing their views on the importance of this experience in their lives by describing their relationships with deaf people outside of school
  2. Engage in collaborative activities that involve planning, project design, problem-solving and evaluation of events or activities (VCASFC056)
    1. working with a partner to create a visual resource that promotes Auslan as an important subject choice
    2. working in groups to create a series of promotional resources for the school website
    3. organising and participating in visits by respected members of the Deaf community to their school to share knowledge and to promote Auslan skills in the wider community
    4. planning presentations to showcase aspects of Deaf culture likely to be unfamiliar to the hearing community
    5. reporting on and evaluating completed events or activities that they had planned together, for example:
      FIRST PRO1 DOUBT I-F WILL GO-WELL, HAVE-A-LOOK GO-ALONG GOOD
      At the start, I wasn’t sure it would work, but after a while I thought it went well.
      PRO1 WRONG NEVER AGAIN DO SAME
      I won’t do that ever again.
      Auslan video
    6. following sequenced directions that involve the use of practical information, for example:
      SEE DS:wavy-surface, KNOW WHERE SCRATCH? S-A-N-D POLISH MORE DS:thick-to-thin 2MM SMOOTH
      See where the surface is uneven? You sand that back 2 mm and it gets smooth.
      Auslan video
    7. working in pairs to create instructional or procedural texts that demonstrate and explain activities
    8. planning and presenting a cultural item for a school open day, such as celebration through drama or visual story of an important member of the Deaf community
    9. discussing in pairs possible design options for an item such as language flag, artefact or logo that incorporates elements of significance to the Deaf community, presenting reasons for specific design suggestions, then voting as a class on a preferred design
  3. Use interactions to support discussion and debate and to demonstrate culturally appropriate behaviours in and beyond the classroom (VCASFC057)
    1. following protocols for interacting with sign language interpreters in various contexts in and out of school
    2. using statements and discussion techniques to participate in class and school debates, for example by acknowledging others’ opinions and supporting their own with examples and accounts of personal experiences
    3. understanding and adopting different roles in a debate, using more elaborated sentence structures and interactional strategies to support discussion and provide clarification, for example:
      PRO2 DIGRESS NEED COME-BACK-TO-POINT
      You’ve gone off the topic. Can you get back to your point?
      SUMMARY…
      In summary;
      PRO2 CONFUSE. PRO1 WIND-BACK
      I’ve confused you; let’s go back …
      Auslan video
    4. using evaluative language to acknowledge strengths in others’ arguments or to challenge others’ views in a courteous manner, for example:
      RIGHT-YEAH, PRO2 DIFFERENT PERSPECTIVE. PRO1 NEVER THOUGHT
      Oh yeah, that’s a different take on it. I never thought about it that way.
      G:WELL RIGHT-YEAH, BUT I WANT ADD COMMENT
      Well, yes, that’s true but I’d like to add something.
      Auslan video
    5. being a supportive group participant, for example by asking relevant questions, providing feedback, prompting and eliciting contributions from others
Informing Elaborations
  1. Investigate and synthesise information collected from a range of perspectives and sources, identifying how culture and context affect how information is presented (VCASFC058)
    1. summarising ideas and information included in presentations by deaf visitors
    2. collecting and summarising information on a selected topic sourced from different contexts, considering how context affects presentation of data
    3. viewing Auslan texts that present different views on an issue of relevance to their age group, such as cochlear implants or social inclusion, considering how context and culture shape perspectives
    4. researching information relating to deaf political movements at different times and in different contexts, drawing comparisons with current deaf organisations, such as the Deaf President Now movement and recruitment of Deaf CEOs
    5. surveying peers or members of their family/community on topics related to deafness and the use of Auslan, discussing how commentaries they collect reflect different viewpoints and cultural perspectives
    6. collecting information from texts such as interviews, documentaries or presentations to use in new forms, for example, to create a profile of notable Deaf Australians, such as Alastair McEwin, Nola Colefax, Colin Allen or Drisana Levitzke-Gray
    7. paraphrasing and evaluating segments of recorded interviews with deaf artists on social media talking about their experience and artistic practice, for example, Deaf Arts Network
  2. Exchange/provide information, opinions and experiences in either formal or informal contexts (VCASFC059)
    1. working in groups to create an informative multimedia text that invites debate of a social or cultural question, such as the medical versus cultural view of deafness
    2. viewing two or more related signed texts on a selected topic, summarising and comparing key points of information and rephrasing for a class presentation
    3. creating texts such as vlogs or advertisements that present information intended to convince or persuade others of the importance of learning Auslan
    4. giving presentations that include different perspectives on a selected issue, for example identifying and evaluating differences in views in relation to Deaf education
    5. creating and presenting explanations about simple biological or mechanical processes, such as how the ear, hearing aids and cochlear implants work
    6. presenting a critical review of media profiles of respected/high-profile members of the Australian Deaf community, focusing on the relationship between texts and contexts
    7. summarising visual ways of communicating, transmitting and receiving information and how these influence group learning and information sharing among Deaf people
    8. working with an interpreter to decide how to present information on a selected topic to a hearing audience
    9. identifying and profiling Deaf artists who make use of music, as in work associated with the Deaf Performing Arts Network
Creating Elaborations
  1. Interpret a range of texts that involve the creative expression of emotions or ideas and the imaginative representation of people, events and cultural experiences (VCASFC060)
    1. exploring how cultural values in relation to identity are reflected in different forms of artistic expression, such as poetry performances by Walter Kadiki or John Wilson’s ‘Home’
    2. viewing performances by deaf artists who communicate elements of the Deaf experience through different art forms, for example the deaf rapper Signmark or the singer/signer Sean Forbes
    3. analysing performances of Deaf poetry, for example by discussing themes, expression and construction and comparing how sign choice and stylistic techniques combine to convey ideas and emotions
    4. watching performances of Deaf theatre groups such as the Australian Theatre of the Deaf, and identifying all the ways a signer refers to the same referent throughout
    5. recognising the contribution of NMFs to characterisation and emotional expression in signed stories, skits or sketches
    6. identifying the different roles of storytelling in Deaf culture, such as teaching, entertaining, communicating values or traditions, finding examples of these in well-known stories, fables or legends
    7. evaluating Deaf performances or art forms that use technology such as camera and lighting techniques to expressive effect, for example performances by Ian Sanborn or Edan Chapman
    8. exploring and describing the use of colour and images by different deaf artists such as Juan Fernández Navarrete or Nancy Rourke
    9. engaging with signed versions of media texts, comparing visual elements to those for a hearing audience, for example, the teen drama Switched at Birth or teen dramas from BSL Zone
    10. exploring the concept of metaphorical iconicity used in poems and narratives, for example by shadowing selected elements
    11. analysing how elements of theatre performance, such as emotional nuance, are communicated through interpreters in a live setting
    12. engaging with animations made by or about deaf people and critiquing the effectiveness of conveying all parameters of signing, for example, The Long Knife, or Gallaudet: The Film by Braam Jordaan
    13. identifying how Deaf art forms represent people, experiences and Deaf spaces and contribute to the building of a sense of identity and cultural awareness
  2. Create imaginative and expressive texts that draw from their experience as Auslan users and members of the Deaf community and which support the experience of younger learners (VCASFC061)
    1. composing and performing soliloquies that capture elements of the Deaf experience in a hearing world
    2. creating resources to support younger learners of Auslan, such as signed versions of games such as ‘Guess Who?’, riddles, treasure hunts or amusing tales
    3. creating imaginative texts that present abstract ideas, such as hope, inclusion, friendship, in creative or amusing ways
    4. creating an Auslan version of a popular song, using elements of all parameters to convey key messages and nuance emotional expression
    5. creating a piece of art, such as a drawing, painting or photo collage, that reflects their experience of living in and moving between the Deaf and hearing worlds
    6. engaging with the work of Deaf theatre groups such as the Australian Theatre of the Deaf, using elements of performances as models for their own experimentation with signed theatre
    7. creating a performance for a school or Deaf festival based on the lives of celebrated or historical members of the Deaf community
    8. presenting a short story based on their own experience of being a deaf student in a hearing school community, incorporating key elements of narrative structure, such as character introduction, problem/conflict, resolution
    9. re-creating a theatre set from a two-dimensional image using signed space
Translating Elaborations
  1. Translate and interpret unfamiliar texts in Auslan or English and compare their translation to those of their classmates, considering why there might be differences in interpretation and how language reflects elements of culture and experience (VCASFC062)
    1. identifying Auslan phrases and expressions encountered in unfamiliar texts that do not translate literally into English, comparing their interpretation with those of their classmates
    2. considering possible consequences of lack of equivalence between Auslan and English words and phrases in terms of intercultural communication, providing examples from their own experience
    3. analysing an Auslan version of a frozen text such as the Australian National Anthem, considering why some words or expressions require freer translation than others
    4. developing in consultation with deaf Aboriginal and Torres Strait Islander students and elders an Acknowledgement of Country in Auslan that is appropriate to their school location for use in gatherings, events and school assemblies
    5. paraphrasing and summarising short Auslan texts containing unfamiliar content, providing simple translations in written English
    6. translating simple filmed texts in Auslan into transcribed written English captions
    7. shadowing quality signed texts in Auslan as a pre-interpreting skill and as a means to enhance presenting skills and confidence as a subset of interpreting skills
    8. comparing translations in Auslan, BSL and International Sign of stories such as ‘Little Red Riding Hood’ to Auslan versions of the same stories, discussing differences in vocabulary and approaches to translation on a free to literal continuum
    9. comparing their own translations of short set texts in Auslan or English with those of their classmates, noting variations and discussing possible reasons for these
    10. observing and interacting with deaf guests to the classroom who use different signed languages, such as ASL or a traditional signed language used by deaf Aboriginal and Torres Strait Islander people, identifying any differences between languages and acting as interpreter with support
    11. evaluating different interpretations of selected texts, using translation resources such as Mac software, digital dictionaries and online materials, considering questions such as Does this represent the exact meaning? What other ways could this be interpreted or translated?
    12. explaining the role of accredited Auslan–English interpreters and that of Deaf interpreters in the Deaf community, demonstrating through role-play correct protocols for working with interpreters
    13. exploring metaphors used in Deaf art and discussing whether these translate well to the hearing world
    14. role-playing basic sight translation techniques with simple, school-specific or everyday texts, using an autocue or text and signing the translation to camera
    15. developing a written English glossary of terminology in relation to sign language translation and interpreting
  2. Create bilingual texts to use in the wider school community, identifying words/signs or expressions that carry specific cultural meaning in either Auslan or English (VCASFC063)
    1. creating bilingual texts that inform the school community about Deaf culture
    2. captioning examples of deaf poetry, noticing areas of difficulty and considering possible reasons for this, and comparing individual translations with those of classmates to determine if similar challenges were faced by others
    3. creating bilingual public information texts, such as details about Deaf community events such as the National Week of Deaf People schedule and the importance of the event, and posting these on the school website
    4. transcribing short, simple spoken texts such as instructions or procedures into Auslan and filming the translations, for example, recipe requests by food technology teachers for their classes
Identity Elaborations
  1. Explore the relationship between identity, community and visual ways of being and the nature and significance of relationship between people, culture and place/space (VCASFC064)
    1. creating and comparing individual biographies, including elements such as family origins, traditions, beliefs, experiences, and considering how these influence their sense of identity
    2. identifying elements of visual awareness in deaf people, such as good observation skills of body language and alertness to hazards in the environment while walking/driving and signing
    3. describing how the concept of Deafhood applies to them and to others by evaluating texts and media portrayals of deaf identity
    4. discussing visual ways of transmitting and receiving information and how these influence group learning and information sharing among Deaf people
    5. exploring how Deaf cultures around the world build shared group identity, for example through gathering formally as national and international communities through activities such as Deaf film festivals, performing arts or sporting events such as Deaf Way, Australian Deaf Games, Deaflympics
    6. discussing when and how they learnt Auslan and how this contributed to their sense of identity
    7. analysing ways in which Deaf people design and adapt spaces in cultural ways (‘Deaf space’), for example, by eliminating visual obstacles to signed communication; using circles or semicircles for meeting and learning spaces; and using open-plan areas, lighting and window placement to maximise visual access to information, with reference to Gallaudet University’s Deaf space design principles
    8. considering how accounts by different deaf visitors to the classroom of their lives, work, education, interests and experience reflect a sense of identity and relationship with Auslan and Deaf culture
    9. identifying ways in which members of the Deaf community demonstrate responsibility for relationships within the community and between it and the wider ‘hearing’ society, for example, describing past learning from deaf adults or other deaf peers about navigating relationships
    10. investigating and explaining connections between rules, culture and community, identifying how these are demonstrated in Deaf culture through visual ways of being and using language, for example, exploring the values and beliefs which influence observable behaviours and social rules
    11. suggesting how reciprocity works in relation to community members sharing responsibility for each other’s wellbeing, comparing examples of how they themselves negotiate relationships with each other and look out for each other
    12. exploring the concept of ‘Deaf gain’ and providing examples of how wider society may ‘gain’ from the Deaf community, for example the benefits of captioning for groups such as elderly people or newly arrived migrants
    13. describing how the Deaf community maintains Deaf places and keeps them relevant to new generations, for example by acknowledging Deaf pioneers in the naming of places and identifying historical links with places
    14. discussing with elders how patterns of ownership and management of Deaf spaces and places impact on the Deaf community
    15. describing their experience of moving between English and Auslan, comparing how this feels and considering changes in their sense of identity when communicating in either language
    16. sharing their understandings of Deafhood and Deaf gain with Deaf elders and comparing these the elders’ views on these concepts
Reflecting Elaborations
  1. Participate in and reflect on intercultural interactions and experiences, for example by considering and comparing their responses and strategies when engaging with hearing people (VCASFC065)
    1. comparing their experience of interacting with hearing people in various domains online or face to face, such as after-school sports clubs, analysing these experiences in terms of their perceptions, understandings or attitudes
    2. reflecting on how differences between signed and spoken language users may be perceived, for example in relation to different protocols when joining interactions, taking turns, using names, or passing between people who are communicating with each other
    3. reflecting on the concepts of insider and outsider views of the Deaf community and on their own position as first language learners of Auslan
    4. reflecting on their own and others’ social attitudes and responses to differences in behaviours or communicative styles, for example on how they feel when hearing people do not make eye contact during an interaction
    5. reflecting on how their own ways of communicating may be interpreted by hearing people, and on how they need to modify or consider other communication strategies and behaviour, such as the use of eye contact, facial expression or body language
    6. comparing strategies used by deaf and hearing adults to negotiate the physical environment, for example, different behaviours that reflect different perceptual perspectives in contexts such as travelling in a lift

Understanding

Systems of language Elaborations
  1. Investigate and explain why signs are structured as they are, including with respect to iconicity, and compare transcription of Auslan video annotation software with glosses (VCASFU066)
    1. understanding that signs can be iconic in a number of ways, such as representing a whole object or part of an object
    2. identifying signs with different levels of iconicity, for example, those that are fully transparent, translucent or arbitrary
    3. recognising that signed languages show more iconicity than spoken languages because they are visual not auditory, and that most referents have visual features
    4. identifying and classifying examples of spatial modifications of nouns and verbs in a video text using video annotation software, for example, ELAN
    5. glossing a text independently, identifying what signs are used, any NMFs, and any examples of DSs and CA
    6. beginning to use annotations in a glossed text to show spatial modification of nouns and verbs
  2. Distinguish between character and observer space, categorise different verb types and identify constructed action in a text (VCASFU067)
    1. noticing that meaning is created in Auslan from fully-lexical signs, partly-lexical signs and non-lexical CA and gesture
    2. recognising that signers can set up referents in the signing space as if they are part of that space (character space, for example, using a bC handshape (use of non-dominant hand) to indicate putting a glass on a table) or as if they are outside it (observer, for example, using 5claw in two locations to represent two houses)
    3. recognising that in character space, signers can use locations for present referents, non-present referents, or abstract referents that do not exist in space
    4. recognising that signers can give information about how a verb happens over time by changing the movement, for example, signing WATCH versus WATCH -for-a-long-time, or with lexical signs such as WATCH AGAIN++
    5. recognising that nouns can be pluralised by locating them repeatedly regardless of their original location
    6. categorising the type of depicting sign being used by a signer
    7. distinguishing between directional and locational indicating verbs
    8. observing examples of CA in an Auslan text and discussing how it was marked
  3. Understand that utterances in Auslan can consist of a mix of gestural and signed components, and that non-manual features are often used to link clauses into equal or unequal relationships (VCASFU068)
    1. recognising the nature and function of word classes and understanding that the context of the sign is important and Auslan signs will not always have the same word class as an English word, for example, adjectives can act like verbs in Auslan, for example, PRO3 BIG
    2. recognising that some verbs and nouns use the same sign but change the movement in a regular way making noun-verb pairs, such as SCISSORS versus CUT-WITH-SCISSORS
    3. being able to describe various types of clauses and recognising that these often co-occur with particular NMFs, such as questions, topicalised sentences, negation or conditionals
    4. analysing yes/no questions and wh- questions to identify how NMFs and particular lexical signs are used to make each type of question
    5. recognising how NMFs can create emphasis or stress
    6. recognising that clauses can be joined by conjunctions to make longer sentences and these conjunctions can be shown with separate signs, such as PLUS or THEN, or NMFs, for example by pausing between clauses
    7. noticing with support, when signers are using composite utterances, that is, those that have elements of CA, DSs, points and DSs, and fully-lexical signs in the same utterance
    8. identifying clauses that are linked equally and unequally, where one clause depends on another
  4. Explain the structure and organisation of particular types of texts, such as conversations or information reports, and identify language features used by signers to meet specific purposes and to create cohesion (VCASFU069)
    1. analysing linguistic structures and features associated with more dynamic texts, such as back-channels and hesitations used in casual conversations
    2. applying knowledge of choices a signer can make in texts, for example by comparing two signers’ texts about the same topic and evaluating different language choices each made, such as when to tell and when to enact, or when to use DSs
    3. analysing signers’ use of pausing in a description or information report
    4. identifying all the ways a signer refers to the same referent throughout a text
    5. identifying examples of ellipsis, such as dropping the participants in verbs
    6. recognising that nouns that are being introduced are more frequently overt than when they are given already in a text
    7. recognising signs that function as interjections or discourse markers
Language variation and change Elaborations
  1. Understand that Auslan has evolved and developed through different periods of influence and cultural and societal change (VCASFU070)
    1. researching how BSL from the 1800s evolved into Auslan, NZSL and modern BSL, for example by finding and classifying examples from Auslan, NZSL and BSL signbanks
    2. understanding that while the structure of individual signs can change over time in regular ways, there is little information about this process in signed languages due to lack of historic records of signing
    3. understanding that greater contact between signers internationally has led to increased borrowing between sign languages, for example, signs that refer to different nation states and cities around the globe, for example, the old Auslan sign for America versus the current sign, or the ASL vehicle handshape in DSs
    4. identifying changes to Auslan that reflect changes in social relationships and community attitudes, for example in relation to words/signs such as DEAF^DUMB, DISABILITY, HEARING^IMPAIRED/H-O-H, DEAF^WORLD/DEAF^COMMUNITY, HUMAN^RIGHT
    5. interviewing older members of Deaf families or Deaf communities and reporting back to the class about any differences in signing they noticed, such as more use of fingerspelled words, less use of NMFs and depicting signs, or the use of different signs, such as FILM (old sign), TOILET (old sign)
    6. recognising that languages constantly expand to include new words, signs and expressions due to influences such as changing technologies and digital media, for example, COMPUTER, COMPUTER-MOUSE, INTERNET, FACEBOOK, WIFI, SELFIE
Language awareness Elaborations
  1. Understand historical and contemporary factors that impact on awareness, support and use of Auslan and its vitality in contemporary Australia, comparing it with that of other signed languages around the world (VCASFU071)
    1. considering the impact of international historical events such as the Milan Congress (1880) and the linguistic recognition and documentation of signed languages (1960s and 1970s) on the use of signed languages in education and deaf people’s feelings of ownership and pride in their languages
    2. analysing the impact of migration and settlement of deaf people from the UK and other countries in Australia on the development of Auslan
    3. investigating the geographical location, origins and history of deaf schools in Australia and the impact of these institutions on the transmission, use and status of Auslan
    4. considering the contemporary influences and pressures on Aboriginal and Torres Strait Islander signed languages and how these may affect their vitality
    5. describing the role religion has played in influencing Auslan in terms of usage and spread, for example, by religious orders, early Deaf Societies and Bible translation projects
    6. exploring multilingualism in the Deaf community, including the use of Auslan, English and other signed and spoken languages such as Irish-Australian sign language, and how and when users typically switch between languages and dialects
    7. investigating the use and impact of generic digital technology and specific forms of communication by Auslan users, for example, video chat, social media, SMS/texting, and NRS and VRS
    8. reflecting on the role of Auslan interpreters in raising awareness and understanding of Auslan in the wider community and in influencing the function and nature of Auslan, for example by the introduction of new signs for temporary use in certain contexts
    9. investigating historical patterns of employment of deaf people in certain trades and fields of work, and the impact of these traditional employment domains on Auslan development
    10. considering ways that Auslan is evolving due to influences such as globalisation and the capacity for new technology to store, record and share sign languages internationally
    11. comparing levels of endangerment of different sign languages, such as NZSL, village sign languages, ASL, Scandinavian, South American sign languages and Auslan, for example by using UNESCO data by reviewing the iSLanDS survey findings
    12. understanding the challenges faced by Auslan and other signed languages due to intergenerational disjunction in language transmission
    13. investigating how new or specialised language associated with domains such as technology, engineering, cooking or fashion are used but not documented in the Deaf community, and how such language impacts on language vitality
    14. identifying contexts and circumstances that support increased usage and acceptance of newly coined Auslan terms, for example, a workplace with several deaf employees
    15. researching the role of the World Federation of the Deaf in mapping and monitoring the vitality of sign languages around the world and in protecting sign language diversity
Role of language and culture Elaborations
  1. Reflect on how language use is influenced by communities’ world views and sense of identity and on how language and culture influence each other (VCASFU072)
    1. exploring the nature of culture and how it is related to ways of thinking and using language, for example by comparing the cultural concept of Deaf identity with a medical model of deafness
    2. exploring ways in which language choices, such as sign choices, reflect attitudes towards certain topics, for example, oralism
    3. analysing how concepts related to cultural practices are expressed through language, for example, by identifying particular elements of naming systems, such as the use of pointing, NMFs and name signs, as in the case of number name signs of older deaf people who attended the Victorian School for Deaf Children
    4. identifying and discussing core cultural concepts reflected in Auslan such as the collective nature of the Deaf community, the importance of respect for elders and of reciprocity and responsibility, for example, how signing TAP-MANY, TAP-2H++ reflects understanding of responsibility to share information and pass on knowledge, or greater use of the ‘flat hand’ rather than the ‘point hand’ and use of full titles in acknowledgements and forms of address when introducing an esteemed Deaf elder
    5. investigating how Auslan users interact with their social and physical environment, for example, locating other signers, gravitating to spaces that are visually accessible
    6. identifying culturally significant attitudes and beliefs conveyed through Auslan that relate to history, significant individuals, places or events, for example, attitudes to spoken language that reflect the history of suppression of signed languages, as in the use of signs that reference tensions between oral and signing deaf people or between hearing and deaf people, such as the sign for communication breakdown which infers lack of awareness or understanding of cultural values, beliefs and language on the part of the other party
    7. comparing elements of communication in different contexts and exchanges that are culturally specific, such as back-channelling, the use of silence or eye contact, head nodding to indicate understanding rather than agreement, and the implications of such cultural variability in contexts such as courts of law
    8. observing that concepts may be culture and language specific, for example, in relation to time and space, as in the spatial mapping for timelines in Auslan
    9. understanding how developing sign language literatures which recount significant journeys and events associated with the beginnings of Deaf education and the development of Deaf communities not only map history but also embody values and mores of Deaf cultures, for example, accounts of the Gallaudet and Clerc reciprocal relationship, or the US Civil War deaf soldiers’ story as told by Ben Bahan
    10. exploring ways in which the production and affect related to the sign for COCHLEAR-IMPLANT have evolved over time due to shifting values and perceptions of the Deaf community in relation to the implant, noting, for example, the transition from a negative affect to more neutral production of the sign
    11. researching examples of deaf leaders who have established organisations or services which met the cultural needs of their community, for example, Dorothy Shaw and Deaf Action Books, Nola Colefax and the Australian Theatre of the Deaf

Levels 7 and 8 Achievement Standard

By the end of Level 8, students interact to share ideas and interests and to offer opinions, using compound and complex sentences, for example by using lexical conjunctions as well as non-manual features (NMFs). They participate in discussions and debates, acknowledging others’ opinions and developing and supporting arguments. They collaborate in activities that involve planning, project design and problem-solving, for example, G:WELL RIGHT-YEAH , BUT I WANT ADD COMMENT. They use evaluative language to reflect on learning activities and to provide feedback to others. They follow protocols for interacting with sign language interpreters in various contexts.

Students locate, collate, summarise and analyse ideas and information from a variety of sources, such as interviews, documentaries or speeches, and they use such information in new forms. They use primary or secondary signed sources in their research, for example, when exploring significant events in Deaf history. They use specialised language to create texts such as vlogs, advertisements or research-based factual reports designed to convince or persuade others. They analyse elements of different imaginative texts such as poetry...

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F–10 Sequence Levels 9 and 10

Levels 9 and 10 Description

Students extend their grammatical knowledge to a range of forms and functions that give them control of more complex elements of text construction and sign formation. They have a greater degree of self-correction and repair. This greater control of language structures and systems increases confidence and interest in communicating in a wider range of contexts. Students design, interpret and analyse...

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Levels 9 and 10 Content Descriptions

Communicating

Socialising Elaborations
  1. Use interactions within the school and wider community to build relationships and to discuss personal aspirations or social issues (VCASFC073)
    1. competing in inter-class or inter-school debates, using appropriate conventions and protocols to support or oppose a proposition, for example, using space and NMFs to contrast views
    2. contributing to exchanges with peers and teachers when discussing their personal, educational and professional future wishes
    3. participating in role-plays on social and cultural issues, for example, the role of interpreters or the impact of social media
    4. communicating using digital technologies to chat with a student from another school, for example about the influence of ‘text talk’ and social media on Auslan, such as the use of signs for LOL, WHATEVER
    5. participating in a whole-school forum on current school or community issues
    6. communicating via video calls or social media platforms with other deaf children in different contexts to build relationships and exchange views on topics of mutual interest
    7. using strategies to initiate and sustain discussion, for example by providing the context of a conversation to new participants:
      PRO3 SAY…
      She was saying that …
      Auslan video
  2. Participate in actions and interactions involving advocacy and consideration of cultural diversity, perspective and experience (VCASFC074)
    1. managing shared learning experiences that require consideration of different views, opinions and cultural perspectives
    2. designing and enacting hypothetical scenarios that address issues related to Deaf experience, for example in the domains of sport or education
    3. collaborating with a partner to take action on an issue affecting the Deaf community, such as advocating for provision of captioning or funding for Deaf organisations
    4. organising an awareness campaign that reflects or mediates views on issues of relevance to their peer group/community, for example, creating a positive promotional video about successful deaf people in their state, outlining strategies to support achievement
    5. advocating for a change in particular school processes or practices, such as ensuring all public school performances (such as theatre or dance festivals) automatically have interpreters present, for example by meeting with the student council, principal or parent group to advocate
  3. Engage proactively in language learning experiences through discussion, justification of opinions and reflection on the experience of learning and using Auslan (VCASFC075)
    1. participating in discussion and debate, clarifying and interrogating ideas, developing and supporting arguments, sharing and evaluating information, experiences and opinions
    2. making connections between their own and each other’s ideas or beliefs and real-life experiences and consequences, using reflections such as:
      SOMETIMES POSSIBLE HAPPEN++ WHY I-F PRO2 PAST THINK-ABOUT WILL TRUE HAPPEN
      Sometimes things happen because you think they will, so it comes true.
      I-F YOU THINK PRO2 CAN PRO2 CAN. IF PRO2 THINK YOU CAN’T YOU CAN’T.
      If you think you can, you can. If you think you can’t, you can’t.
      Auslan video
    3. comparing opinions about culturally appropriate behaviours when engaging with unfamiliar members of the Deaf community
    4. using skills such as paraphrasing, questioning, interpreting non-verbal cues and appropriate vocabulary selection to support elaborated discussion
    5. discussing and experimenting with ways to strengthen and refine signed texts to entertain, inform, persuade or inspire different audiences
    6. exchanging reflections on the experience of using Auslan in different contexts and situations, comparing challenges or satisfactions and reflecting on how the same event can be differently experienced or interpreted
Informing Elaborations
  1. Research and evaluate information from different sources and perspectives, summarising opinions and critically appraising relationships between texts and contexts (VCASFC076)
    1. evaluating information collected from different sources to debate issues of interest and significance to the Deaf community, such as eugenics, deaf technology or interpreter ethics
    2. using critical literacy skills to recognise textual bias and to distinguish between fact and opinion in differently sourced texts relating to the Deaf community and/or deafness
    3. researching a significant event that affects/has affected the Deaf community, summarising findings in the form of contributions to a panel discussion or debate
    4. evaluating information presented by their peers or teachers, providing constructive feedback supported by evidence
    5. appraising and summarising opinions expressed in formally and informally signed texts
    6. using stories by elders and excursions to sites of significance to document, describe and provide explanatory detail of places of importance to the Deaf community
    7. using primary or secondary signed sources to research significant events in Deaf history to present a critical overview of how information can be differently presented
  2. Prepare and present researched information on a range of issues, considering the context in which the information will be received (VCASFC077)
    1. presenting a sustained signed explanation on a given topic, using information selected from a range of sources to suit the intended audience
    2. using evidence selected from independent research sources and evaluative or persuasive language to respond to arguments about issues such as eugenics, deaf technology or interpreter ethics
    3. presenting information on current affairs or news items, identifying bias and the effect of context on the shaping of texts
    4. arguing a predetermined, evidence-based position in a panel discussion/debate on controversial questions, for example, the inclusion of deaf members of a jury
    5. designing the presentation of an Auslan text for a vlog that requires voice interpreting with notes to indicate emphasis and to clarify meaning
    6. providing explanations of abstract or technical concepts, such as poverty or radiation from uranium, shaping the style of the presentation to suit the intended audience, for example through significant use of depicting signs
    7. presenting an interpretation of graphs and statistics that provide information relating to the Deaf community, discussing findings and making predictions about future changes or patterns
Creating Elaborations
  1. Analyse different types of imaginative, creative and performative texts, considering how different techniques and modalities are employed to communicate with different audiences (VCASFC078)
    1. analysing examples of signed performance poetry, identifying patterns and conventions such as repetition of handshapes and movement paths of signs to create rhyme and to convey meaning
    2. interpreting visual representations of Deaf experience, including the use of metaphors, perspectives, colours and textures in visual art forms such as sculpture, painting, photography, printmaking or ceramics
    3. responding to forms of Deaf art that challenge perceptions and stimulate discussion, such as the work of Christine Sun Kim or members of the Australian Theatre of the Deaf or Deafinitely
    4. comparing responses to imaginative texts that present particular values or points of view, for example, Deaf slam poetry
    5. reflecting on the multilayered dimension of signed narrative, identifying how dynamic handshapes, facial expressions and body movements provide simultaneous narrative, commentary and emotional expression
    6. comparing different recordings of signed storytelling, for example of young children making up stories or older people telling traditional tales, noticing differences in their language
    7. comparing their interpretations of/responses to performances by deaf comedians, storytellers or poets
    8. viewing and reviewing media texts that use aesthetic, artistic or realistic techniques to interpret and communicate dimensions of the Deaf experience, for example the documentary Deaf Jam (2011)
    9. exploring the use of technology in Deaf art, film or performance, for example to help build mood or emotional expression
    10. identifying relationships between elements such as imagery or signed sequences in texts such as ballads, free verse or narratives, for example by working with Auslan translations of Shakespearean texts
    11. responding to signed poems that use extended metaphor to communicate values and ideas or to express emotional experience, for example, ‘Butterfly Hands’ by Walter Kadiki
    12. comparing the visual nature of signed narratives with oral traditions of Indigenous cultures
    13. analysing responses of hearing audiences to deaf performances, for example by evaluating comments made by judges on reality/talent television shows
    14. discussing the complexity of live theatre performance interpretation and the use of deaf interpreters and consultants
    15. creating highly complex narratives combining and switching between ways of reference, for example, CA, DS, lexical signs and frames of spatial reference
  2. Create imaginative texts designed to engage and/or reflect the interests of specific audiences and to stimulate discussion of cultural issues and experiences (VCASFC079)
    1. creating a dynamic multimodal performance suitable for different modes of entertainment, such as a vlog, television or live performance
    2. adapting the mode and style of delivery of a narrative or poem to suit either a younger or older audience
    3. creating a class anthology of Auslan poems that reflect the diversity of cultural experience represented in their school community
    4. experimenting with different modes of expression and visual imagery to explore the poetics of visual language
    5. creating poems or raps that represent emotional accounts of personal stories, successes or struggles to enter into a class slam poetry competition
    6. plan, rehearse and perform short dramatisations that explore social/cultural issues relevant to their peer group or community, selecting language features, images and forms of expression to suit the intended audience
    7. using metaphors to extend or redirect a favourite text that invites reflection on cultural or intercultural experiences
    8. creating an animation with a deaf character or theme related to the Deaf community
    9. creating a piece of art such as a sculpture, collage or film clip that reflects their experience of moving between Deaf and hearing worlds
    10. creating a signed poem that reflects elements of their own emotional response to a particular personal experience
Translating Elaborations
  1. Translate Auslan and English texts composed for different audiences and contexts and consider the dynamic nature of translating and interpreting and the role of culture when transferring meaning from one language to another (VCASFC080)
    1. experimenting with literal Auslan translations of popular English idioms, noticing when this creates confusion (for example, raining cats and dogs) and discussing how to interpret such idioms accurately
    2. comparing online Auslan and English public announcements and government policy/information texts in terms of different approaches to translation and preservation of content, for example, free versus literal
    3. viewing and discussing the effectiveness and accuracy of online Auslan translations, such as the Catching Fire series of safety videos or the emergency disaster preparedness videos
    4. trialling different resources to assist in translation, including online dictionaries and footage, for example by comparing individual translations, back-translating, and reviewing useful references
    5. considering the nature of translation with reference to different strategies such as decoding literal meaning (word for sign), reading for meaning (sense for sense) and cultural reading (between the lines)
    6. recognising the need to sometimes recast language and considering why one language may use more words/signs than another to communicate a particular meaning or concept, for example, in relation to the use of space and depicting signs in Auslan in describing a scene compared to the linear spoken modality of English
    7. critically evaluating the accuracy and effectiveness of English subtitles to an Auslan text, for example the range of community service Auslan messages produced by the Deaf Society of NSW
    8. providing annotated examples of translations of poems or other types of text, identifying challenges involved in transferring meaning, expression, culture and mood from one language to another
    9. comparing examples of BSL and Auslan literature and evaluating translations from both/each into English, for example of poems by Dorothy Miles or Walter Kadiki
    10. translating suitable jokes, songs, poems, stories or plays from English into Auslan and vice versa
    11. analysing existing translations of texts, such as short subtitled films or TV programs containing deaf characters using various sign languages, making comparisons with their own translations into Auslan or English and reflecting on identified variations
    12. identifying the range of reference materials and resources available to assist in language documentation and translation tasks, for example ELAN, and exploring how to use them
    13. researching aspects of available interpreting services in their area, for example, the role of interpreters, qualifications required, ethical considerations and issues associated with interpreting and translating in specialised contexts such as health, education, legal settings
    14. exploring the role of deaf people as Deaf interpreters and as language consultants on interpreted theatre events, considering the work this involves and the skills needed for it
    15. considering culturally appropriate and ethical behaviour when interpreting and translating, for example by explaining appropriate behaviour in interpreting contexts and considering potential consequences of inaccurate interpreting
    16. analysing codes of ethics of interpreters, comparing existing codes in Australia, such as the ASLIA and AUSIT codes, and developing simple translations of the main principles of each code
    17. role-playing the part of a Deaf interpreter for unfamiliar deaf guests who are non-conventional Auslan users or users of another signed language in a simple context such as an interaction in a library
    18. comparing signed texts in International Sign with translated Auslan versions created by students, using H3 broadcasts as a resource
    19. participating in formal situations where interpreters are working, discussing observed translation choices made
  2. Create resources such as videos, glossaries and classifications in English to interpret cultural aspects of Auslan texts (VCASFC081)
    1. collecting and explaining to non-Auslan users expressions and culturally specific terms encountered in Auslan texts, for example, hearing, residential school
    2. collecting and recording different signs, attaching English captions with appropriate translations, for example, PAH! = finally, TALK = communicate in speech or Auslan, CHAT = talk in Auslan
    3. creating a bilingual virtual tour of the school for use on the school website
    4. developing a signed and captioned film presentation, for example, about how to work with an interpreter
    5. making a short bilingual documentary in Auslan and English about a topical issue, moving through the processes of drafting, translating and captioning the final product
    6. capturing and presenting stories recorded from interviews in Auslan with members of the Deaf community, captioning the interviews in English
Identity Elaborations
  1. Identify ways in which deaf people relate to and are perceived by society as ‘people of the eye’, how they demonstrate connections with culturally rich places and associations, and how their sense of identity, roles and responsibilities change over time (VCASFC082)
    1. discussing the notion of ‘Deaf eyes’ and the capacity of deaf people to determine the deaf/hearing status of others in their environment based on eye behaviour
    2. considering how deaf people are perceived to be more observant and more astute visually, for example, as drivers, in sports or in terms of visual memory, comparing anecdotal findings and documented research on this issue
    3. discussing how identity may shift depending on what is most salient in any context or setting, and how as people mature they learn to navigate ‘multiple identities’ in relation to different elements of their experience, such as background ethnicity and culture and Deaf identity/culture
    4. reflecting on the concept of Deafhood as it applies to and informs life choices made by young Deaf people, for example in relation to social group participation, communication preferences, ways of identifying, describing and introducing themselves to others
    5. considering how relationships between changing technology and Deaf people are managed to express and to reflect identity, for example, the rejection of hearing devices or, alternatively, highlighting them with colour or prominent placement
    6. considering whether a strong sense of shared identity influences the capacity for awareness and advocacy for Deaf people’s rights
    7. discussing how social groups such as Deaf communities form intergenerational patterns that determine relationships and shape behaviours, for example, by interviewing a member of a Deaf family of two or more generations
    8. investigating ways the Deaf ecosystem works and the reciprocal nature of relationships in some Deaf communities, for example in business or professional domains, and the contribution this ecosystem makes to collective identity
    9. discussing how the Deaf community expresses different elements of their identity, for example through behaviours associated with Deaf spaces, greetings and introductions which illustrate community status and affiliation
    10. investigating how a strong sense of identity impacts on social and emotional health and wellbeing by exploring the available research on wellbeing and identity in deaf people
    11. identifying and describing intersections between national and international Deaf communities and organisations, and how these contribute to a transnational sense of belonging, for example, by evaluating shared experiences by viewing online texts produced by deaf people in different countries
    12. comparing changing values and status of place and space in different international Deaf communities, for example, the loss of Deaf clubs or closure of Deaf schools, and reflecting on the implications of these changes over time for Deaf identity
    13. responding to different philosophical and social views about deafness, considering the impact of varying attitudes on a deaf person’s developing identity
    14. discussing ways in which the philosophy of ‘Deaf gain’ can be applied to personal circumstances, such as classroom accommodations and sporting participation
    15. summarising elements of elders' guidance on how cultural values, beliefs and traditions are expressed and connected through shared experience of visual ways of being, providing examples of how these are demonstrated in community behaviour and in interactions with the wider community
    16. describing and comparing their personal sense of social responsibility towards their Deaf community, for example as demonstrated through attending, organising or volunteering at festivals, camps or youth groups
    17. exploring the wider political landscape of the Deaf community as it impacts on individual and community identity, for example, by identifying the impact of activism and Deaf empowerment movements such as the Deaf President Now campaign at Gallaudet University, a ‘Deaf place’, in effecting change and strengthening Deaf communities’ connection to ‘place’
Reflecting Elaborations
  1. Reflect on the experience of learning and using Auslan formally in school, and considering how intercultural communication involves shared responsibility for making meaning (VCASFC083)
    1. reflecting and reporting on how learning Auslan formally in school provides insights into the general nature of language and culture as well as an explicit means of interpreting the world in which they live
    2. considering the relationship that exists between language, culture and issues of access and identity, and the significance of issues of discrimination, inclusion and exclusion
    3. keeping a journal of experiences (humorous, satisfying or challenging) associated with using Auslan in school and in wider community contexts, noting changes in their responses and reflections over time and comparing insights gained through interactions with other languages and cultures
    4. considering the layers of intercultural complexity and depth in the Deaf community, for example in relation to the insider/outsider concept or the role of deaf members of deaf families, and reflecting on their own position within such frameworks
    5. sharing and comparing cultural and intercultural experiences and capabilities in different signed and spoken/written languages including Auslan, and identifying benefits of using more than one language, such as a larger repertoire of communication strategies, additional insights and perspectives, opportunities for new experiences
    6. reflecting on their experience of living and communicating in a visual world and on particular challenges and benefits they have experienced
    7. discussing how intercultural communication is a two-way process which involves shared responsibility for meaning-making and ensuring understanding

Understanding

Systems of language Elaborations
  1. Understand the perceptual and articulatory reasons for the structure of signs, and analyse how iconicity can be used to create metaphors in Auslan and critically evaluate video annotation software as a means of transcribing and analysing Auslan (VCASFU084)
    1. understanding that the elements of a sign can be arbitrary (for example, the handshape or movement of the sign WHY), or meaningful, such as the movement and the handshape in the sign GIVE
    2. exploring perceptual and articulatory reasons why some handshapes are more common than others
    3. beginning to identify and describe metaphorical iconicity, for example, LOVE, AVOID/RESIST, and discussing how it relates to metaphors in English, for example the ‘time as space’ metaphor in both languages
    4. applying knowledge of iconicity in signed languages, for example how the path movement of a verb can be a metaphor for the timing of an action, for example, PRO1 WAIT-for-a-long-time PRO2, observing that English can do the same with changes to the length of phonemes, for example, I screeeeeeaaaaaamed!
    5. using annotation software such as ELAN as a tool to transcribe and analyse signed languages
  2. Analyse signed texts in terms of spatial frames of reference used, and explain how signers show periods of constructed action (VCASFU085)
    1. analysing a signed text for examples of character and observer space and describing why the signer has chosen that viewpoint
    2. appreciating the production of reciprocal forms of some indicating signs, such as LOOK, GIVE, INVITE
    3. identifying some of the aspectual modifications to verbs in an Auslan text, such as WORK-for-a-long-time or GO-TO-repeatedly
    4. analysing a video of a signed narrative and identifying the moments in which a signer shifts into a different role in CA, and how they show that, for example, eye gaze change
  3. Understand the difference between main and subordinate clauses and how the inclusion of constructed action and depicting signs has an impact on clause structure (VCASFU086)
    1. understanding that verbs can be either auxiliary (CAN JUMP or TRY REACH) or main verbs (WORK)
    2. noticing how to use modal verbs and NMFs to express possibility, obligation and ability (MIGHT, SHOULD)
    3. understanding the difference between definite and indefinite reference and how Auslan makes this distinction
    4. recognising the function of some signs as interjections or discourse markers
    5. recognising that conditionals have a main and dependent clause and associated NMFs
    6. identifying coordinated clauses showing causation and describing how it is shown, for example
      PRO3 STUDY-hard BECAUSE WANT EXAM MARKS GOOD
      Auslan video
    7. recognising how emphasis in sentences can be changed by reordering clauses or parts of clauses
    8. recognising that the presence of CA or DSs affects how a clause is structured
  4. Understand the interrelationship between text types, linguistic features, cohesive devices, audience, context and purpose (VCASFU087)
    1. analysing expository texts, identifying characteristic language elements and features
    2. analysing a videoed class debate to identify how language is used to justify opinions and persuade others
    3. analysing an Auslan text in depth, for example by identifying characteristic features of the particular text type and discussing how language choices are made to take account of a text’s intended audience and purpose
    4. noticing how grammatical choices shade meaning, reflect perspective and establish relationship between text participants, for example choosing to be more or less English-like in a particular context or relationship
    5. noticing how signers can compare or contrast ideas by locating things in the same or opposing sides of signing space
    6. applying knowledge of ellipsis to achieve cohesion
Language variation and change Elaborations
  1. Investigate and analyse the nature of and community attitudes to variation in the use of Auslan (VCASFU088)
    1. recognising that there is a greater degree of flexibility and variability in ‘oral’, face-to-face languages such as Auslan compared to spoken/written languages passed on from parents to children, for example, less standardisation and minimal ‘frozen texts’, and considering reasons for such differences
    2. researching different aspects of variation in the use of Auslan, considering influences such as geographical location, social groupings, history, educational experience, age of learning, family background and contact with Signed English or other languages
    3. debating the merits and disadvantages of creating a standard form of Auslan, for example the benefits of mutual comprehensibility versus the practical problems involved in who decides on the standard and how to get signers to comply
    4. considering the effect that expanding sign language interpreter services might have on standardising Auslan, especially in the areas of education and medicine
    5. noticing ways people might adapt language according to situation of use, such as when signing to a large audience, the use of one hand or two, clarity of sign production, size of signing space, pace, NMFs, pauses and amount of fingerspelling
    6. considering how Auslan has been influenced by the use of Signed English in education settings (especially from the 1970s to the 1990s) and cultural attitudes towards Signed English
Language awareness Elaborations
  1. Investigate and compare the nature and status of Auslan and other signed languages, considering issues such as language and education policies, language rights, representation and processes of language preservation and language building (VCASFU089)
    1. identifying historical events, government policies and educational initiatives that have impacted on the status of Auslan and the identity of the Deaf community, such as ALLP, DDA, the mainstreaming of deaf students
    2. researching the nature of International Sign, including its relationship to national signed languages and its use by deaf people
    3. analysing subjective measures of language vitality, such as societal attitudes towards Auslan or the perceived strength of the language identity group, and identifying challenges facing Auslan in terms of societal attitudes, provision of resources, access, education systems and social networks
    4. analysing the status and use of Aboriginal and Torres Strait Islander signed languages and comparing these to Auslan
    5. appreciating the impact of the use of Auslan in settings such as education, health care and different workplace settings in terms of the evolution of the language and specialised terminology
    6. analysing representations of deaf people and sign language in the Australian media and wider community, making comparisons with representations of other languages and cultures
    7. investigating how Auslan and Deaf culture are promoted in the wider community, for example, through the influence of organisations such as Deaf Australia, of high-profile individuals such as activists or actors and of events such as NWDP Deaf Festival, Australian Deaf Games or Deaf art exhibitions
    8. considering how processes of language building and evolution may expand existing Auslan linguistic and cultural resources in the Australian community
    9. investigating programs and initiatives that maintain and strengthen Auslan use, such as school language programs; bilingual education and research programs; recording, archiving and documentation of the language; and the establishment of websites and databases
    10. appreciating the importance of documenting and promoting Auslan in raising community awareness of the richness and value of signed languages
    11. recognising that Auslan requires maintenance, development and documentation, considering historical and contemporary circumstances which have either contributed to or impeded these processes, for example the use of technology such as ELAN for capturing and documenting the language
    12. considering domains where Auslan may grow in the future, and contributing to localised Auslan signbanks on specific topics, for example, creating a bank/dictionary of signs used by deaf students and interpreters in Year 9 Science
    13. researching the status and recognition of signed languages in other countries, for example, New Zealand, the USA, the UK, the Scandinavian nations, considering issues such as language rights, documentation and development efforts
    14. discussing the concept of ‘language health’ and how it applies to Auslan, for example by designing a chart of relevant factors such as status (social, economic, historical), demography (number and distribution of users) and institutional support (media, government, education, religion, industry, culture)
Role of language and culture Elaborations
  1. Understand that Auslan and Deaf culture are interrelated, that they shape and are shaped by each other and that their relationship changes over time and across contexts (VCASFU090)
    1. exploring the relationship between language and culture, for example by analysing language used in pathological and sociocultural models of deafness and the impact that each philosophy and the language used to express it may have in regard to services for deaf people
    2. appreciating the complexity of the relationship between language and culture, for example by discussing distinctions between Deaf cultures and other cultural minorities, such as the fact that most deaf people are born to hearing parents and typically access and experience Deaf culture through communicating with peers and other Auslan users in and out of school, in addition to their cultural experience in their families of origin
    3. recognising the cultural significance of symbols and language features used in Auslan, for example the use of light and darkness in stories, poetry and performance, as in gaslight stories
    4. considering cultural explanations for conversational strategies used by Auslan signers to avoid conflict and to maintain privacy, such as changing signing space and style, using indirect language such as signing lower or under the table, fingerspelling instead of signing overtly, or modifying a sign choice such as menstruation to suit the context
    5. understanding that Auslan plays an important role in the expression and maintenance of Deaf culture, that each deaf person has a right to learn and use Auslan as part of their birthright and as a key element of their membership of the Deaf community, and that they become custodians and owners of the language
    6. appreciating the cultural value and importance of festivals and events in the Deaf community, such as NWDP, as celebrations of language, history, culture and identity
    7. analysing ways in which deaf people interpret and exploit the possibilities and cultural meanings of sound, for example, in games and stories which incorporate signs for sound and reactions to sound, for example, a door slamming
    8. recognising that Auslan signs change over time due to shifting cultural values and changing experiences, for example, the sign for APPRENTICE modified to refer to TAFE, the shifting values around the sign DEAF^DEAF (culturally Deaf reference for deaf-mute), and unsuccessful attempts to reframe this with an audiological focus
    9. reflecting on the ways culture is interpreted by others, for example by identifying how stereotypes about deaf and hearing people influence perceptions
    10. recognising that cultural beliefs and behaviours are embedded in Auslan, for example, recounts by deaf people of interactions with hearing people might include language that reflects beliefs about English and ‘hearing-ness’, for example, an anecdote about a frustrating interaction might be concluded with hearing, their way
    11. reflecting on the labels ‘deaf’ and ‘hearing’, considering what they mean to different people and their implications in terms of status, access, opportunity and privilege
    12. analysing ways in which deaf people’s jokes and humorous narratives reflect cultural values about deaf/hearing relationships and how deaf people navigate the world, for example the ‘Bob’s House’ commercial
    13. exploring how advocacy strategies can reflect deaf people’s cultural practices and values, for example the ‘TTY-in’ used to advocate for the National Relay Service

Levels 9 and 10 Achievement Standard

By the end of Level 10, students exchange information, ideas and opinions on a broad range of social, environmental, educational and community issues. They summarise and justify points of view and use reflective language to respond to others’ opinions and perspectives, for example, RIGHT-YEAH, PRO2 DIFFERENT PERSPECTIVE NEVER THOUGHT. They initiate, sustain, support and extend discussion, using strategies such as paraphrasing, inviting opinions and elaborating responses, for example PRO2 CONFUSE PRO1 WIND-BACK. They select appropriate vocabulary and use supporting evidence when clarifying and justifying statements. They use respectful language to negotiate, problem-solve and to manage different perspectives when engaging in collaborative tasks, for example, PRO1 FEEL PRO2 RIGHT TALK OVER…. BECAUSE….

Students research, analyse and evaluate information from a range of sources and perspectives, and create sustained signed texts designed to entertain, inform, persuade or inspire different audiences. They use non-manual prosodic features to create emphasis or other effects.

Students analyse different types of creative and performative texts, considering how specific techniques and modalities...

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7–10 Sequence Levels 7 and 8

Levels 7 and 8 Description

Students can identify the handshape movement and location of signs. Depending on their access to home-sign systems, they make use of varying levels of handling or SASS depicting signs, gradually learning the conventions of Auslan. They learn to use entity depicting signs to discuss movement and location, decreasing their signing space to the conventional area. Students use simple clause structures...

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Levels 7 and 8 Content Descriptions

Communicating

Socialising Elaborations
  1. Interact with peers and teachers to exchange information about self, family, friends and interests, describe people and objects and express some feelings and preferences (VCASFC091)
    1. exchanging greetings, thanks and apologies, for example, HELLO, HOW-ARE-YOU? GOOD MORNING M-R-J-O-N-E-S, THANK-YOU, SORRY
    2. expressing feelings using lexical signs and affective NMFs, for example:
      PRO1 HAPPY
      I’m happy.
      PRO3 GRUMPY
      She’s grumpy.
    3. using formulaic language to express wishes for particular occasions or events, for example, HAPPY BIRTHDAY, GOOD-LUCK
    4. making arrangements using simple time-related signs without numeral incorporation, for example, LAST-WEEK, MONDAY and with numeral incorporation, such as THREE-DAYS-AGO, TWO-YEARS-AGO, IN-TWO-DAYS
    5. stating likes, dislikes and preferences using associated NMFs, for example:
      PRO1 LIKE TV
      I like TV.
      DON’T-LIKE DRAWING
      I don’t like drawing.
    6. introducing self and family and explaining relationships using possessive pronouns, for example:
      POSS1 NAME X, PRO1 12-YEARS-OLD
      My name is X, and I’m 12 years old.
      PRO3 POSS1 BROTHER
      He’s my brother.
    7. asking and responding to questions about a familiar topic such as their family, a hobby or an interest, or a recent event, for example:
      PAST WEEKEND, YOU GO WHERE?
      Where did you go last weekend?
      FAMILY PRO1 GO PLAY SOCCER
      My family and I went to play soccer.
    8. referring to family members and classmates by fingerspelling a name or by using a sign name and describing their appearance or characteristics, for example:
      POSS1 SISTER TALL SKINNY HAVE BLACK HAIR
      My sister is tall and thin and has black hair.
    9. describing what they are doing in class activities using plain verbs, for example, PRO1 WRITE, PRO1 READ
  2. Participate in guided group activities such as signing games and simple tasks using repeated language structures, non-manual features and gestures (VCASFC092)
    1. participating in games or activities that involve repeated signs, gestures and NMFs, for example, I went to the market and I bought …
    2. following instructions by locating or moving classroom objects in activities that involve concepts such as space, place and memory, such as by hiding a marker pen and playing ‘hot/cold’ to find the pen
    3. participating in activities that involve exchanging or classifying objects and attributes such as by shapes, colours and amounts
    4. using questions and affirmative and negative answers when participating in role-plays that involve transactions such as ordering food at the tuckshop
    5. participating in barrier games and other information-gap activities
    6. working together in collaborative tasks such as craft or cooking activities
    7. attracting attention or asking for clarification or help to complete a task, for example:
      WHAT MEAN?
      What do you mean?
      PLEASE AGAIN SIGN
      Please sign that again.
      Auslan video
  3. Develop communication and interaction skills such as asking and responding to simple questions and statements and following protocols for participation in Auslan classes and engaging with the Deaf community (VCASFC093)
    1. recognising and using fingerspelled names for roll call and games
    2. exchanging greetings with peers and teachers and stating the day and date
    3. following instructions for class routines, such as:
      DS:line-up PLEASE
      Line up, please.
      PLEASE WITH-2++ DS:sit-opposite
      Please find a partner and sit opposite each other.
      Auslan video
    4. asking for help or permission, for example:
      PLEASE HELP-me?
      Can you help me, please?
      CAN++?
      Can I?
      Auslan video
    5. gaining someone’s attention, for example by waving or tapping a shoulder or table
    6. stopping activities and paying attention when lights are flashed or hands are waved
    7. using NMFs such as focused eye gaze, nodding and head shaking to show affirmation and negation
    8. keeping appropriate signing space between themselves and others
    9. using visual applause to show enjoyment of entertainment or commendation
Informing Elaborations
  1. Locate specific points of information from signed texts about familiar topics and use the information in new ways (VCASFC094)
    1. responding to signed information such as class messages or short introductions, for example, by identifying names, numbers or times
    2. identifying and applying specific information in signed texts using visual pictures and props to complete guided tasks such as craft activities
    3. gathering information from peers about topics such as family members or favourite foods
    4. identifying information in simple texts that relate to properties such as colour, size, shape or amount, for example when interacting with materials and concrete objects
    5. following directions for simple activities involving visual cues such as a treasure hunt, for example:
      DS:turn-left DEAD-END DS:turn-right
      Go left, then at the end turn right.
      Auslan video
    6. identifying and categorising signs appearing in simple texts according to handshape
    7. watching short Auslan texts about topics such as hobbies or sports, recording key points of information using tables or graphic organisers
  2. Present factual information about familiar topics using signs that have been modelled (VCASFC095)
    1. describing an object, space, animal or person using modelled lexical signs and short phrases, for example, describing the layout of key items in the classroom
    2. contributing to a digital presentation such as a class video by signing a basic description of their own family members
    3. demonstrating simple procedures such as getting ready before school in the morning, using gestures, objects and buoys
    4. recounting an experience they have shared, sequencing events through the use of modelled signs and photos
    5. reporting on aspects of their daily routines, using modelled signs and visual prompts, for example outlining a travel route home from school
    6. producing a series of signs for peers to complete a simple action-based activity such as a sign circle game
Creating Elaborations
  1. Participate in the viewing of recorded or live imaginative signed texts, responding through drawing, miming, gesture or modelled signs (VCASFC096)
    1. viewing narratives in Auslan, for example, from the Auslan Storybooks website, demonstrating understanding through drawing, gesture and modelled signs
    2. responding to short expressive texts that involve the movement of people, animals or vehicles, demonstrating understanding through drawings or familiar signs
    3. responding to key elements of short signed stories, for example by mimicking facial expressions or repeated signs
    4. participating in interactions in Auslan that involve imaginative responses to stimuli such as cartoons using gestures, handshapes, facial expressions and simple signs to suggest what happens next in the story
    5. engaging with different forms of Deaf art, such as handshape creations, and responding by creating their own piece of art on a similar theme
    6. shadowing NMFs in short Auslan poems or narratives
    7. retelling favourite events of an Auslan story using modelled signing
    8. engaging in imaginative interactions that involve the creation of mood or momentum through repeated use of signs, handshapes and facial expressions to modify manner or intensify adjectives
    9. responding to performances of Deaf poetry that evoke emotions such as sadness, fear or excitement, for example by indicating enjoyment or different personal feelings
  2. Express imaginative ideas and visual thinking through the use of mime, gestures, drawing and modelled signs (VCASFC097)
    1. re-enacting individual short stories or wordless animations using gestures, actions and modelled signs
    2. depicting the movement of people, animals or means of transport by using handshapes in creative ways
    3. creating amusing sequences of signs using a fixed handshape, such as point in PRO2 THINK PRO1 SHY
    4. using gestures and modelled signs to create their own short stories or mimes
    5. creating an imaginative scenario that features the movements and characteristics of a particular animal through the use of constructed action
    6. participating in storytelling games or imaginative activities, such as the joint construction of a humorous story
    7. working with classmates to represent objects using combined bodies and hands in amusing or creative ways
    8. changing elements of familiar narratives to create their own versions, with a focus on varying manner or constructed action
    9. adapting an element of a familiar cartoon or story to achieve a different outcome
Translating Elaborations
  1. Translate familiar words and phrases from Auslan to English and vice versa, noticing similarities and differences in meaning (VCASFC098)
    1. recognising that every language uses words or signs to make meaning
    2. identifying aspects of Auslan which are the same in English, such as the fingerspelled alphabet
    3. participating in shared reading of age-appropriate high-interest, low-readability books containing images and plain English text, asking and answering questions about unfamiliar words and phrases, working collaboratively to produce an Auslan version of the text
    4. comparing key signs used in Auslan versions of familiar and simple texts, such as stories from the Auslan Storybooks site, to words used in written English texts, and noticing how signs can convey rich, multilayered meaning, which might not have a direct match in English captioning
    5. playing matching-pair games with Auslan sign flashcards and English word cards, matching cards in each language associated with concepts such as weather or animals
    6. identifying examples of words and signs that seem to have direct matches/equivalents in Auslan and English and examples of those that do not, such as GO-TO in Auslan requiring more than one English word
    7. finding and using phrases that have direct sign-for-word translations between Auslan and English, such as Goodnight, Happy birthday and Happy New Year and others that do not, such as None of your business!
    8. identifying challenges associated with Auslan–English translation, such as multiple meanings for words like run, the fact that meaning is not always literal and that sign translations of a word will vary according to the meaning in context
    9. paraphrasing and summarising short Auslan texts containing familiar content, providing simple translations in written English, and following the reverse process working from texts in written English into Auslan
  2. Create different types of bilingual texts to support their classroom learning (VCASFC099)
    1. using images of Auslan signs and equivalent words in English to name and label familiar objects, classroom items or school resources, using posters and digital glossaries with captions
    2. developing a handshape dictionary using palm cards or digital means, including equivalent English terms
    3. using photos of family members to create a family tree or chart, captioning and labelling in English each family member with corresponding images of Auslan signs
    4. creating bilingual texts for younger children, such as a mini Auslan–English dictionary of school-specific signs
    5. making their own bilingual dictionaries with English labels, Auslan sign images and simple descriptions of signs, identifying and categorising signs according to handshape
Identity Elaborations
  1. Explore the concepts of identity, social groupings, relationships, community and place and space, and deaf people’s visual ways of being and negotiating these networks (VCASFC100)
    1. identifying themselves as members of different groups and describing their relationships with deaf, hard of hearing and hearing students, family members, the larger Deaf community and wider ‘hearing’ world
    2. identifying and describing physical markers of identity among deaf people, such as the use of sign language and/or hearing devices such as hearing aids, cochlear implants and FM systems
    3. creating a poster depicting their own family and labelling immediate and extended family members as deaf/hearing
    4. identifying and discussing family names, given name/s and name signs for themselves and for others
    5. exchanging views on how their individual biographies, including family origins, traditions, beliefs, communicative practices, interests and experiences, shape their sense of identity and impact on their ways of communicating
    6. building an understanding of the concept of Deafhood and how each individual’s journey of identity development contributes to social relationships and to the formation of community, for example, by creating an individual identity map or a hand map
    7. discussing visual ways of being, including interacting, transmitting and receiving information and behaving according to Deaf cultural values, and how these influence group learning and information sharing among Deaf people
    8. investigating Deaf cultures around the world and how they shape visual ways of being, for example by considering how Deaf people from different countries and ethnic groups express shared group identity through practices such as gathering formally as a national or international community via opportunities such as Deaf film festivals; performing arts events, for example, Deaf Way; theatrical events; art exhibitions; or sporting events such as ADG, Deaflympics
    9. responding to deaf people from different groups and backgrounds who visit and present about their education, families, social networks and sense of community/identity, for example by discussing similarities and differences between visitors’ reported experiences and their own lives
    10. identifying the importance of place and space in the Deaf community, exploring why some places and spaces make deaf people feel comfortable or promote a sense of belonging, for example by identifying factors that make a classroom ‘Deaf friendly’, such as U-shape seating, minimisation of window glare/reflection, good lighting and acoustics, flashing lights, suitable interpreter location
    11. identifying examples of deaf people’s visual orientation towards the world (‘people of the eye’), such as waving in space or using flashing lights to gain attention, visual applause
    12. identifying their own stories, history, roles, responsibilities and links to the Deaf community and considering how these relate to their sense of identity
    13. recognising that signed language is a birthright which establishes their identity with respect to the Deaf community and its traditions
    14. viewing and creating accounts of their own and each other’s experience and roles in the Deaf community and identifying examples of the different ways of being deaf that they describe
    15. discussing behaviour associated with cultural practices and traditions, for example, by discussing the concept of reciprocity as a manifestation of how community members share responsibility for each other’s wellbeing
Reflecting Elaborations
  1. Reflect on ways in which Auslan and associated communicative and cultural behaviours are similar to or different from other language(s) and forms of cultural expression (VCASFC101)
    1. comparing aspects of their lives as young deaf people with those of young hearing people as represented in digital images, video clips and narratives, for example, ways of engaging in different games and activities, exchanging stories and interacting socially at school, at home and in the community
    2. discussing changes or adaptations they make to their communicative style when communicating with non-signers
    3. reflecting on similarities and differences between ways of communicating in Auslan and in Australian English in different social situations, for example, ways of greeting/leave-taking, introducing people and using body language, facial expression and eye contact
    4. reflecting on the need for sustained eye contact when using Auslan in order to understand a message and before teacher instructions can proceed, and considering how this may differ for hearing students in a spoken language environment
    5. reflecting on language differences in forms of address in signed and spoken language, for example, using a person’s name when addressing them directly in Australian English but not in Auslan
    6. examining general misconceptions that deaf people may have about hearing people and culture, for example, that hearing people hear and understand everything, or that hearing people can hear from a distance
    7. reflecting on and providing possible explanations for assumptions hearing people might have about deaf people or about signed languages

Understanding

Systems of language Elaborations
  1. Identify and describe all elements of sign production, including handshape and its orientation, movement, location and non-manual features and understand that signs can look like what they represent (VCASFU102)
    1. realising that meaning is communicated through the use of signs, pictures, written or spoken words or miming
    2. identifying the handshape of a sign, for example, COCKATOO (hs:5, palm left) and SOCCER (hs:fist, palm towards signer) and identifying signs of a particular handshape
    3. identifying and demonstrating signs with a change in handshape, for example FIND or BEST
    4. identifying and demonstrating signs with a change in orientation, for example CAN-NOT or HOW
    5. noticing the path movement of a particular sign and identifying signs associated with the major types of path movements, for example, THROUGH (forwards) or FULL (down to up)
    6. describing how the movement changes between groups of related numbers, for example, 5, 15, 50, 5th)
    7. noticing the five major locations of signs on the body or in space, and identifying signs associated with each, such as SEE (head/face), SAY (mouth/chin), WHY (chest), TALK (hand) and ONE (signing space)
    8. understanding that NMFs are important in sign language for showing feelings of the signer or others
    9. identifying single, double and two-handed signs, and recognising which hand is dominant (the pen hand) and which is non-dominant (paper) within two-handed signs
    10. thinking of body-anchored signs, such as HEAD or WHY, and signs that are not body anchored, such as HAVE or STOP, and recognising that non-body anchored signs can be located in space around the signer
    11. understanding that signs can be organised by handshape, for example in Johnston’s Auslan dictionaries or localised handshape dictionaries in schools, and that this is useful if an English word for a sign is not known
    12. recognising that some signs are iconic, that is, provide a visual image of a referent, for example, HOUSE, TREE, DRINK, ELEPHANT, and that some are not, such as SISTER, WHY, SIMPLE
    13. experimenting with different methods of capturing the signed language, such as: a class-invented script, drawing pictures, videoing, English glosses or ASL-phabet
  2. Recognise and restrict signing to the standard signing space, and understand that particular signs, depicting signs, some verbs, enacting and pronouns make use of spatial relationships (VCASFU103)
    1. describing the range of signing space in normal signed discourse
    2. recognising that non-body-anchored nouns can be located in the signing space and identifying instances of this
    3. noticing that Auslan pronouns are different from English because they don’t show gender but they can show the location and a specific number of referents, for example, WE2 (inclusive) and WE3 (inclusive) or WE2-NOT-INLCLUDING-YOU (exclusive)
    4. noticing that a point can refer to a person, place or thing
    5. noticing that enacting a role or modifying the beginning and end locations of some verbs can show the referents involved, for example:
      PRO1 ASK PRO3 versus PRO1 ASK-her
      PRO3 ASK-me CA:I-was-shocked
      Auslan video
    6. identifying what sorts of things can be represented in a DS by a particular handshape, for example a distant person, pole or tree can be represented by a point handshape, and a cylinder can be traced by a C handshape
    7. distinguishing between entity, handling or SASS DSs by looking at what the handshape represents in each type:

      • entity: the handshape is an object or person
      • handling: the handshape represents a person’s hands touching or moving another object
      • SASS: the handshape traces the shape or size
  3. Recognise and use elements of clause structure, such as noun groups/phrases or verb groups/phrases and using conjunctions to shape structure (VCASFU104)
    1. categorising noun signs into those for people, animals, places or things
    2. learning that proper nouns can have a sign name or be fingerspelled
    3. recognising different nouns in clauses, including those that are shown with a pointing sign, such as GIRL READ versus PRO3 READ, or VISIT FRIENDS versus VISIT PRO3
    4. knowing that adjectives describe nouns in different ways, such as how they look (BIG or RED), feel (SOFT or HOT), smell (SMELLY) or sound (LOUD)
    5. understanding that changes in mouth patterns and movement of signs can intensify adjectives, for example, RED-really, PLEASED-really, TALL-really
    6. identifying verb signs (SIT, EAT, FEEL, WONDER, HAVE) and recognising that they are central to a clause
    7. noticing that some signs modify the meaning of verbs, such as WORSE as in WORSE OLD and that these are called adverbs
    8. contributing examples of signs that tell:
      • when a verb happens (IN-2-WEEKS PRO1 HOLIDAY or WANT LUNCH NOW)
      • where a verb happens (PRO3 RUN FAR or COME HERE)
      • how a verb happens (FAST or SLOW or PRO2 QUICK FINISH)
    9. understanding that a clause is one or more signs expressing a single idea and that a clause has at least one verb, but often one or more nouns as well, for example:
      CALL-him
      I called him.
      MAN THERE GO-TO POSS3 HOUSE
      That man went to his house.
      BIG MONSTER SCREAM
      A big monster screamed.
      Auslan video
    10. distinguishing between clauses that are statements and those that are questions
    11. distinguishing between yes/no questions, wh- questions and statements and their corresponding NMFs
    12. knowing that signing involves either telling with signs or showing with DSs and periods of CA, for example,
      MAN WALK SLOW
      DS(point):man-walks-slowly
      CA:man-swinging-arms-nonchalantly
      Auslan video
  4. Recognise similarities and differences in language features of different types of texts, and notice how signers build cohesion in texts (VCASFU105)
    1. recognising that texts are made up of one or more clauses, which have one or more signs in them, which together make meaning
    2. looking at short recounts or narratives in Auslan and identifying information necessary to communicate with others such as who was involved or when and where the event happened
    3. recognising that different signed texts serve different purposes and discussing and comparing these purposes, for example, a procedure is to explain how, a narrative is to entertain
    4. identifying how signers use space to track participants through a text, for example by pointing back to an established location to refer to a noun referent
    5. identifying the many ways signers can refer to the same referent in a text, for example by using DSs, points or list buoys, and noticing how such strategies help maintain interest and support understanding
Language variation and change Elaborations
  1. Recognise that there is variation in in how Auslan is used depending on context, environment and influences of other signed languages (VCASFU106)
    1. exploring different ways to show the same concept, for example though a picture, a spoken word, a sign, a home sign or a gesture
    2. exploring similarities and differences in the two main Auslan dialects, the northern dialect used in New South Wales, Queensland and the Australian Capital Territory, and the southern dialect used in Victoria, South Australia, Western Australia, Tasmania and the Northern Territory, for example through building webcam relationships with other schools or by identifying and collecting signs that differ in the two forms
    3. noticing different ways that English words are borrowed into Auslan, for example, the use of fully fingerspelled words, such as D-U-E, N-O-U-N, the fingerspelling of the first letter of corresponding English words, for example TOILET, FATHER, or abbreviations of English words, for example, state names: S-A, N-S-W, V-I-C, T-A-S, and organisation names: N-A-B-S, W-A-A-D, N-S-W-A-D, D-C-S-S-A, and lexicalised fingerspelling, such as HOW, BUT, ABOUT, FOR
    4. noticing the variation in ‘handedness’ between signers in relation to signs and to fingerspelling: right handers using their right hand as their dominant (main) hand; left handers doing the opposite
    5. considering adaptations to language use when communicating in different physical environments, such as in video chats, across a large yard, or when one or both hands are occupied, for example choice of vocabulary, size of signing space, clarity of signs, use of fingerspelling and NMFs
Language awareness Elaborations
  1. Develop awareness of the sociocultural context, nature and status of Auslan and of the Deaf community in Australia and the impact of this on language change (VCASFU107)
    1. identifying where and when different people learnt to sign and whether they are from deaf or hearing families
    2. exploring and providing possible explanations for variation in Auslan fluency among their classmates and members of the Deaf community
    3. understanding the nature of the transmission of Auslan, for example, how in most cases Auslan is not passed on from parent to child, but from child to child (horizontal language transmission) or to children by deaf adults outside the family
    4. investigating the use of digital technology/communication by Auslan users, for example, social media, SMS/texting and NRS and VRS, discussing how these modes of communication impact on accessibility and communication for members of the Deaf community
    5. considering ways that Auslan is evolving due to different influences, including the capacity for new technologies to store, record and share sign languages
    6. discussing the degree to which their classroom/school is an Auslan-accessible and Deaf-friendly environment, and how this might be further enhanced
    7. investigating how Auslan and Deaf culture are promoted in the wider community, for example through the influence of organisations such as Deaf Australia, high-profile individuals such as activists or actors or events such as NWDP, Deaf festivals, Australian Deaf Games or Deaf art exhibitions
Role of language and culture Elaborations
  1. Explore connections between language, identity and cultural practices, values and beliefs and the expression of these connections in Auslan (VCASFU108)
    1. recognising that people from different places and backgrounds may use different languages and have ways of living and communicating that differ from their own
    2. appreciating that culture and cultural difference means that people may value different things or live differently, noticing observable examples of ‘difference’, such as ways of greeting (bowing versus shaking hands) or conveying information (through words versus signs)
    3. recognising how they as deaf people live in ways that may be different from how hearing people live and that these ways are primarily visual, for example by responding to prompts such as: Compare how deaf and hearing people get the attention of someone on the other side of the room; and How do deaf and hearing people make sure they wake up at a particular time in the morning?
    4. recognising the importance of facial expression, eye gaze and non-manual features in conveying information in a visual-gestural language and culture
    5. understanding that culture is more than the visible aspects of people’s lives, that it also includes invisible elements such as beliefs and values, how people think about themselves and others, how they relate to their social and physical environments; and considering how this understanding applies to themselves as users of Auslan
    6. recognising that in each culture there are general rules for what to say and do, when, where and with whom, and that these rules differ from culture to culture, for example, the Deaf culture places greater importance on eye contact than cultures that communicate through spoken languages
    7. identifying the importance of signing space and proxemics in Auslan, particularly in relation to a person passing between two signers, or the positioning of communication partners
    8. recognising that shared experiences shape cultural values in Auslan and in other cultures, for example, the experience of deaf children being excluded from family and social discourse during dinner table conversations or social events gives rise to the value placed in the Deaf community on sharing information with each other
    9. considering how some spaces make deaf people feel comfortable, for example, open-plan spaces with long sight lines allowing easy visual access

Levels 7 and 8 Achievement Standard

By the end of Level 8, students interact with the teaching team, class visitors and each other to share information about themselves, their families, friends, routines, pastimes and experiences. They refer to family members and classmates using fingerspelling or sign names as appropriate, and use lexical adjectives and some SASS depicting signs to describe people’s physical appearance and characteristics, for example POSS1 SISTER E-M-M-A, PRO3 SHORT RED HAIR. They use entity depicting signs to discuss movement and location. They recount shared and personal experiences, using simple clause structures, modifying some verbs for present referents or single absent referents for example PRO1 LIKE TV. They ask and respond to simple questions and distinguish between statements and questions using grammatical non-manual features (NMFs). They express likes, dislikes and feelings using lexical signs and affective NMFs, such as DON’T-LIKE DRAWING. They follow directions for class routines and instructions of two or more steps, using directional terms or depicting signs such as DS:turn-left DEAD END DS:turn-right.

Students follow culturally appropriate protocols, such as responding to and...

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7–10 Sequence Levels 9 and 10

Levels 9 and 10 Description

Students increasingly use conventional Auslan: lexical signs or depicting signs with conventional classifier handshapes, and rely less on their idiosyncratic systems. They learn to modify some indicating verbs for non-present referents and use constructed action to represent themselves or others in recounts. They use a range of NMFs to distinguish questions from statements or negatives, and...

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Levels 9 and 10 Content Descriptions

Communicating

Socialising Elaborations
  1. Describe activities and experiences and share and respond to ideas and feelings about people they know, their daily lives, social worlds and school community (VCASFC109)
    1. recounting classroom events using indicating, plain and depicting verbs, for example:
      MONDAY PRO1-plural DS:many-people-go-to SPORT DAY. PRO1 ENJOY
      We all went to a sports day on Monday. I enjoyed it.
    2. describing the appearance of people, objects and places using SASS depicting signs and spatial location
    3. recounting personal experiences using specific time-related signs and conjunctions, such as:
      LAST HOLIDAYS PRO1 CAMP
      Last holidays I went camping.
    4. describing activities they have completed using some verb modifications to show manner, for example:
      PRO1 WRITE-carelessly
      I wrote it very quickly.
    5. interacting with members of the Deaf community to share details of their personal world
    6. describing relationships between themselves and members of their school community, for example:
      PRO3 POSS1 BEST FRIEND
      She’s my best friend.
      M-R-S S-M-I-T-H POSS1 SCIENCE TEACHER
      Mrs Smith is my science teacher.
    7. recounting events involving more than one person using constructed action
    8. describing events that they have experienced and how they made them feel, for example:
      MONDAY DEAF PERSON VISIT SCHOOL PRO1 EXCITED MEET
      On Monday a Deaf visitor came to school. I was excited to meet them.
      MOVIE SCARY BUT PRO1 LIKE
      The movie was scary but I liked it.
    9. comparing attributes or characteristics of classmates or classroom objects, for example:
      S-A-M RUN FAST C-H-R-I-S WORSE FAST SPEED
      Sam runs fast but Chris runs the fastest.
      THAT BEST COMPUTER
      That’s the best computer.
      Auslan video
    10. comparing weekend or holiday routines, interests and activities, using signs associated with time, sequence and location, for example:
      REGULAR SUMMER PRO1-plural GROUP-MOVE-TO COUNTRY STAY++ TWO WEEK
      We go to the beach for three weeks in summer.
      WEEKEND PRO1 GO-TO-AND-BACK++ CAMP
      I go camping on weekends.
      Auslan video
  2. Participate in shared learning activities that involve planning, transacting and problem-solving, using simple signed statements, questions and directions (VCASFC110)
    1. negotiating roles and responsibilities in shared learning activities, using expressions such as:
      PRO2 TYPE PRO1 WRITE
      You type and I’ll write.
    2. understanding and using expressions of support, encouragement or praise during shared activities, for example, EXCELLENT, THAT GREAT
    3. playing games that involve detailed information exchange, such as a ‘murder mystery’ type game, asking for and supplying descriptions about the suspect, for example:
      PRO3 HAVE GLASSES?
      Does he have glasses?
    4. working collaboratively to plan an event such as a handball competition, using expressions related to place, time and numbers, for example:
      BEST PLAY WHERE?
      Where will we play?
      TEAM+ HOW MANY?
      How many teams are there?
    5. following and giving directions for outdoor activities such as an obstacle course
    6. expressing preferences in relation to roles and responsibilities in shared learning activities, using NMFs and statements such as:
      HANDWRITING PRO1 DON’T-LIKE RATHER TYPING
      I don’t like handwriting; I prefer to type it
      Auslan video
    7. working with peers to plan for a visit from a Deaf community member, prioritising and sequencing tasks
  3. Communicate clearly in different classroom interactions and contexts, demonstrating appropriate protocols when communicating with each other, teachers and deaf people (VCASFC111)
    1. responding to multistep classroom instructions, for example:
      IN YOUR COMPUTER FINISH CLICK-ON ELAN
      Log in to your computer and then click on ELAN.
    2. asking for repetition or clarification, for example:
      THAT RIGHT THAT?
      Is that right?
      PRO1 DON’T-UNDERSTAND
      I don’t get it.
    3. negotiating turn-taking by using visual or tactile methods in taking or yielding a turn, for example:
      PRO2 FIRST NEXT-TURN-around-circle
      You go first then we’ll take turns around the group.
    4. using NMFs such as raised eyebrows to indicate interest, or head tilt to indicate lack of understanding
    5. initiating protocols within the classroom such as:
      • gaining group attention through flashing lights, tapping, foot stomping and waving
      • maintaining eye gaze and back-channelling
      • positioning seating to keep visual communication clear, for example, sitting across from signers when communicating
    6. following protocols and using appropriate language when using or accessing an interpreter, for example:
      SIT THERE PLEASE CAN YOU?
      Can you sit there, please?
    7. following protocols for interrupting others, such as waiting for pauses in conversations and eye contact, or by using language such as:
      HOLD
      Hold that thought.
      QUICK INTERRUPT
      Can I just interrupt you quickly?
      Auslan video
Informing Elaborations
  1. Identify, paraphrase or compare information obtained from a variety of signed texts or from their own data collection and present the information in different forms (VCASFC112)
    1. retelling key points of multistep information used in classroom interactions, such as announcements or directions for a task
    2. watching signed texts that show people expressing likes and dislikes and recording and organising their observations in table form
    3. watching a presentation by a teacher or peer, identifying specific points of information, such as where they went for a holiday or what activities they did
    4. surveying peers in relation to their interests and preferences, categorising and comparing findings in charts or graphs
    5. following the steps of a signed demonstration of procedures, such as how to cook something or play a new game
    6. learning new Auslan vocabulary and language structures through interacting with Deaf visitors, teachers and mentors, recording the new language in personal sign dictionaries
    7. viewing live or recorded interviews or informal conversations between deaf people in different situations and contexts, identifying key points and topics covered
    8. viewing different types of signed texts, such as instructional sports videos or science demonstrations, showing understanding by responding to questions
  2. Convey factual information and opinions in signed texts (VCASFC113)
    1. describing home and school routines in the correct sequence, for example, weekend activities or their school timetable
    2. reporting to the class about a shared school event such as Deaf Sports Day or school camp
    3. creating signed texts to explain a hobby or interest using visual supports such as photos or props
    4. presenting descriptions of school equipment such as those used in woodwork, science or sports and giving simple signed explanations of how they work
    5. instructing the class in a procedural text such as a simple recipe, using props
Creating Elaborations
  1. Engage with different types of creative texts, identifying and discussing characters, events and personal responses through the use of familiar signs, actions and artwork (VCASFC114)
    1. participating in Auslan games using simple clauses in creative ways, for example, a freeze tag game, building on a text
    2. viewing creative performance texts and identifying characters and events from Auslan narratives, poems and theatre performances, such the Australian Theatre of the Deaf
    3. viewing and expressing personal responses to creative visual texts such as handshape art and art produced by/about Deaf people, Deaf culture or signed languages, for example, paintings by Nancy Rourke and animations by Braam Jordaan
    4. comparing versions of creative signed texts and indicating preferences, for example, between different Auslan versions of the same story signed by different deaf people
    5. responding to signed poems and ‘visual vernacular’ descriptions of a character’s appearance by shadowing, mimicking and drawing, for example, work by Frédéric Vaghi
    6. participating in performance activities such as unscripted response-to-stimulus role-plays, recognising how characters’ feelings and attitudes are expressed through NMFs and manner
    7. viewing and comparing expressions of Deaf experience through different visual art forms, such as painting, photography or sculpture, comparing with their own use of visual forms of expression of feelings and experience
  2. Create or adapt imaginative texts and live or filmed expressive performances that involve imagined experiences and feature different characters, amusing experiences or special effects (VCASFC115)
    1. participating in games and activities that focus on depicting the appearance and characteristics of people, animals or objects and their relationships
    2. working collaboratively to create and present signed skits to entertain a targeted audience
    3. re-enacting individual short stories or wordless animations that include two or more characters and their interactions through the use of constructed action
    4. reinterpreting creative texts for effect, for example by changing emotions or movements through the use of NMFs and manner
    5. using ‘visual vernacular’ to enact short scenarios involving imaginary characters, contexts and objects, by employing a range of depicting signs and constructed action
    6. choreographing and performing a creative text (dance, signed song, poem), incorporating Auslan and focusing on matching timing, beat and rhythm
    7. performing stories for a live audience with a focus on the visual communication of emotion and humour
    8. creating the next scene, a new character or an alternative ending for a signed fable, short story or cartoon
    9. creating original handshape poetry to present at a school assembly or community festival
    10. creating a video record of an imagined formal or informal interview, incorporating elements of humour or tension and building character and mood through the use of NMFs and pauses
Translating Elaborations
  1. Translate and interpret different types of familiar short texts, demonstrating awareness of individual interpretations of meaning (VCASFC116)
    1. translating the school song into Auslan with support, identifying words or phrases that do not easily translate and finding suitable equivalents in Auslan that match the English concept
    2. shadowing online Auslan translations and captioning, such as the Catching Fire series of safety videos or the emergency disaster preparedness videos
    3. comparing their own translations of short familiar texts with those of their classmates, noting discrepancies or variations and discussing possible reasons for these
    4. observing and interacting with deaf guests to the classroom who use different signed languages, such as ASL or a traditional signed language used by deaf Aboriginal and Torres Strait Islander elders, identifying differences between the languages and acting as interpreter with support
    5. creating basic translations of song lyrics or simple poems from English to Auslan
    6. translating and explaining the meaning of words or expressions associated with figurative language use in Auslan, such as train gone, sorry and comparing these to some common English idioms
    7. conducting sight translations of plain, high-interest, low-readability English texts such as short news articles that are written for their age group
    8. comparing existing translations in Auslan of narratives, such as fairytales or short stories, to their own ideas of how they would translate specific segments of these texts
    9. explaining the role of accredited Auslan–English interpreters and that of Deaf interpreters, demonstrating through role-play correct protocols for working with interpreters
  2. Create bilingual texts such as notices, displays or newsletters for use in the wider school community (VCASFC117)
    1. creating captions for pre-recorded signed texts to be used in a variety of school contexts, for example, a translation of the Auslan version of the school song or a ‘welcome to the school’ video
    2. creating bilingual texts for use in the school community, such as informative posters that include signed images or digital library displays about Auslan, considering how to represent meaning in the two languages for different audiences
    3. composing bilingual texts for class or school assembly performances, events or displays, for example, NWDP announcements
    4. using bilingual online dictionaries and electronic tools to compose bilingual texts such as an online Auslan–English version of a school newsletter
    5. contributing items of signed news and information to a bilingual school website or web page associated with their class, school or local community
Identity Elaborations
  1. Identify and analyse ways in which deaf people behave and relate within society as a distinct social group as ‘people of the eye’, demonstrate responsibility for connections between the Deaf community and the wider ‘hearing’ society, and for culturally rich and appropriate places and spaces (VCASFC118)
    1. using a vlog journal entry to discuss how having peers who share the same language provides a social bond and builds confidence
    2. identifying characteristics of deaf people’s visual awareness, such as good observation of body language and heightened alertness to hazards in the environment while walking/driving and signing
    3. comparing strategies used by deaf and hearing adults to negotiate physical environments, for example, different behaviours at a bank of lifts, identifying how deaf people draw on additional perceptual resources in ways hearing people are unaware of
    4. exploring technologies used by deaf people to communicate visually, such as videoconferencing apps, to support social networks and to strengthen a sense of individual or shared identity
    5. investigating ways in which a sense of confidence in relation to identity influences awareness and a capacity for advocacy for Deaf rights, for example in relation to issues such as the provision of interpreters or captioning
    6. discussing how their sense of identity may shift according to context and situation, and how as people mature they learn to manage ‘multiple identities’ in relation to different elements of experience, such as background ethnicity and culture and Deaf identity culture
    7. identifying strategies used by deaf people to negotiate the hearing world, such as travelling with paper and pen or smart phone to take notes
    8. using the concept of Deafhood to map and communicate their own journeys of identity development, for example, their identification with particular Deaf role models, and considering the role identity plays in contributing to individual, peer group and community health and wellbeing
    9. engaging with deaf visitors from different groups and backgrounds about their experiences in the Deaf community, for example by interviewing the visitors and recording their responses
    10. using drawings, photos or presentations to describe characteristic features of Deaf spaces beyond the classroom, such as removal of visual obstacles to signed communication, circles or semicircles for meeting and learning spaces, open-plan areas, lighting and window placement to maximise visual access to information
    11. documenting and discussing places of importance to the Deaf community, such as Deaf schools, and understanding the value of these based on stories by elders and excursions to sites of significance
    12. responding to elders' guidance on how cultural values, beliefs and traditions are connected through shared life experience and visual ways of being, and how they are demonstrated in community behaviour and interactions with the wider community
    13. describing ways in which they can take responsibility for increasing others’ awareness of their communication and learning preferences, for example in the classroom and with extended family
    14. exploring the concept of ‘Deaf gain’ and identifying examples of how wider society may ‘gain’ from the Deaf community, for example, benefits of captioning for other sectors of the broader community, such as elderly people or newly arrived migrants
    15. discussing their sense of responsibility for each other as members of the Deaf community, and the need to support younger deaf individuals in the community
Reflecting Elaborations
  1. Reflect on the experience of learning and using Auslan in and out of school, and ways in which their understanding of intercultural communication has developed (VCASFC119)
    1. describing how it feels to use Auslan to communicate outside their inner circle or school, or to watch Auslan being used by others, responding to prompts such as What are the main differences you notice when observing a conversation between deaf people and one between hearing people?
    2. reflecting on similarities and differences in language and communication access, such as the extent of incidental learning acquired by hearing children through interaction with their external environment, for example by overhearing conversations or news on the radio
    3. reflecting on similarities and differences between signed language and spoken language users when joining interactions, taking turns, using names, or passing between people who are communicating with each other
    4. identifying and comparing how various emotions and different attitudes such as respect, shyness, exuberance or embarrassment are expressed across different languages and cultures
    5. reflecting on the experience of interacting with hearing people in various domains online or face to face, such as after-school sports clubs, analysing these experiences in terms of their own perceptions, understandings or attitudes
    6. reflecting on social attitudes and on their own reactions to observed responses to differences in behaviours or communicative styles, such as their feelings when hearing people fail to make eye contact with them during interactions in the wider community
    7. reflecting on how their own ways of communicating may be interpreted when interacting with hearing people, and on how they may need to modify elements of their behaviour, such as the use of eye contact, facial expression or body language, and to consider other communication strategies such as the use of notes or gestures

Understanding

Systems of language Elaborations
  1. Explore various types of non-manual features, types of iconicity in signs and the use of software to transcribe signs (VCASFU120)
    1. understanding that NMFs are important in sign language for marking forms such as questions
    2. identifying, demonstrating and describing the various types of NMFs: movements of the eyebrows, eyes, nose, mouth, cheeks, shoulders and body
    3. identifying the NMFs in statements, yes/no questions, wh- questions, and negatives
    4. noticing that in signed languages meaning can be expressed through signs or through fingerspelling
    5. understanding that signs can be iconic in a number of ways, such as representing a whole object or part of an object
    6. identifying signs with different levels of iconicity, for example, those that are fully transparent, translucent or arbitrary
    7. exploring, with support, software such as ELAN to annotate signed texts
  2. Understand that signs can include different information, including a gestural overlay, and identify how signers establish spatial locations, types of depicting signs and ways of showing constructed action (VCASFU121)
    1. noticing that meaning is created in Auslan from fully-lexical signs, partly-lexical signs and non-lexical signing and gesture
    2. understanding that fully-lexical signs are in the dictionary and have a standard handshape, movement and location, and partly-lexical signs can be changed to show information such as location or who is involved in indicating verbs
    3. noticing that single-digit numbers can be separate lexical items or merged into other signs (numeral incorporation) such as those for ages, for example, 5-YEARS-OLD or adverbs of time, for example, 3-WEEKS-AGO or pronouns, for example, WE3, WE4
    4. identifying where and how a signer has established a location in space (through pointing, modifying the movement of a verb, or locating a non-body-anchored noun sign)
    5. recognising that signers must make explicit which referent is associated with a location
    6. recognising that signers can set up referents in the signing space close to them (viewer space), for example, using a bC handshape (use of non-dominant hand) to indicate putting a glass on a table or distant (diagrammatic) for example, using 5claw in two locations to represent two houses
    7. identifying independently instances of DSs and their type
    8. learning that the function of CA is to represent the words, thoughts or actions of a protagonist in a text, either themselves or another
    9. knowing that in CA a signer can shift into the role of another, or themselves at a different time, through eye gaze change, body shift, head orientation change, and matching facial expressions
  3. Understand and control additional elements of Auslan grammar, such as the use of non-manual features for topicalisation, negation or question forms, and develop awareness of how signers use constructed action and depicting signs (VCASFU122)
    1. noticing that sometimes Auslan signers have information about how a verb happens through NMFs not separate signs (for example WRITE-carelessly)
    2. distinguishing between the citation form of a sign and the adverbial NMF overlaid and what meaning each part carries, for example: MAN-SPRINT (base form), MAN SPRINT-fast (manner added)
    3. understanding that, in terms of meaning, a basic clause represents: a happening or a state (verb), who or what is involved (noun or nouns) and the surrounding circumstances (adverb or adverbs)
    4. noticing that clauses can be made more vivid by integrating CA or DSs to show with body or hands or by showing adverbial or adjectival meanings
    5. recognising how conjunctions such as PLUS, IF or BUT are used to join clauses and create cohesion
    6. recognising that the element of a clause that a signer wants to focus on most in Auslan is sometimes moved to be signed first and that this process of topicalisation involves particular NMFs
    7. recognising that signers may include both linguistic and gestural elements in a clause, that is, signers can tell, show or do both in a composite utterance
    8. realising that in many clauses signers ‘tell’ with lexical signs at the same time as ‘show’ with DS, CA and other gestural elements
  4. Explore the relationship between particular text types, audience, purpose and context and analyse language features used by signers to create cohesion and achieve the purpose of the text (VCASFU123)
    1. identifying differences in different types of texts, for example by looking at a monologic recount compared to a dialogic one, and noticing differences such as the use of back-channels or hesitations
    2. conducting an analysis of a selected sign text, taking into account audience, purpose and topic to explain language choices made by the signer
    3. noticing how signers can compare or contrast ideas by locating things in the same or opposing sides of signing space
    4. noticing how signers achieve textual cohesion and coherence through the use of connectives that create links between clauses, for example BUT and G:WELL
    5. identifying where signers have established referents in locations in a text and noticing how this helps the audience to recognise who or what the referents are (actor and undergoer)
    6. noticing how signers construct cohesive and coherent texts through the use of text connectives such as lexical signs NEXT or G:WELL or NMFs and pausing
Language variation and change Elaborations
  1. Explore the concept of language flexibility, variation and change in relation to the use of Auslan across different contexts and times (VCASFU124)
    1. recognising that there is a greater degree of flexibility and variability in ‘oral’ languages such as Auslan that only exist in face-to-face form, compared to spoken languages that are written down and that are passed on from parents to children
    2. understanding that other signed languages such as BSL, ISL and ASL have influenced Auslan over different periods of time
    3. recognising that languages constantly expand to include new words, signs and expressions due to influences such as changing technologies and digital media, for example, COMPUTER, COMPUTER-MOUSE, INTERNET, FACEBOOK, WIFI, SELFIE
    4. interviewing older members of Deaf families or Deaf communities and reporting back to the class about any differences in signing they noticed, such as more use of fingerspelled words, less use of NMFs and depicting signs, or the use of different signs, such as FILM (old sign), TOILET (old sign)
    5. understanding that greater contact between signers internationally has led to increased borrowing between sign languages, for example, signs that refer to different nation states and cities around the globe, or the vehicle handshape in depicting signs
Language awareness Elaborations
  1. Understand the range of factors that influence the profile, diversity and distribution of Auslan use in the wider Australian society, and consider the concept of Auslan vitality in comparison with that of other languages (VCASFU125)
    1. understanding that strong and healthy languages are those used by many people across generations in most domains to communicate about most topics
    2. mapping the distribution of Auslan users across Australian states and demographics, using data from censuses and other sources to present findings in graph/visual representation forms
    3. exploring the vitality of different languages by obtaining information from the UNESCO interactive online atlas and/or Ethnologue to compare numbers of speakers/signers of different languages
    4. recognising that some languages have no written form and have historically been passed on face to face/orally, making them less well recorded and documented
    5. understanding that some languages used in Australia, such as English, have large numbers of users, while others, such as many Aboriginal and Torres Strait Islander languages, are endangered or in the process of being revived or reclaimed
    6. describing the role religion has played in influencing the usage and spread of Auslan, for example, through religious orders, early Deaf Societies and Bible translation projects
    7. reflecting on the role of Auslan interpreters in raising awareness and understanding of Auslan in the wider community, and considering ways in which they influence the function and nature of Auslan, for example by the introduction of neologisms
    8. identifying language documentation tools, such as ELAN, as important ways of recording, transmitting and maintaining the vitality of a language
    9. recognising that languages may be perceived as ‘weak’ or ‘strong’ based on community values and the existence of documentation and literature in the language
Role of language and culture Elaborations
  1. Understand that Auslan and Deaf culture are interrelated, that they shape and are shaped by each other, that their relationship changes over time and across contexts, and that they may be differently interpreted by users of other languages (VCASFU126)
    1. appreciating distinctions between Deaf cultures and other cultural minorities, such as the fact that most deaf people are born to hearing parents and acquire Deaf culture in addition to the culture of their families of origin from peers and other Auslan users in school or as adults in the Deaf community
    2. exploring ways in which language choices reflect attitudes towards certain topics, such as oralism or cochlear implants, identifying examples of sign choices that reflect particular attitudes or views
    3. understanding that knowledge about past and present Deaf people and about Deaf cultural values is embodied in and transmitted through Auslan, for example, ways of producing the sign for SIGN embody cultural meaning, regarding distinctions made and values placed on fluent or awkward signing
    4. identifying differences between the use of personal names in Auslan and in other languages, for example, Auslan signers not using a person’s name sign when addressing them directly, in contrast to the practice in many spoken languages
    5. considering cultural explanations for conversational strategies used by Auslan signers to avoid conflict and to maintain privacy, such as changing signing space and style, and using indirect language such as signing lower or under the table, or fingerspelling instead of signing overtly
    6. appreciating the cultural value and importance of festivals and other events in the Deaf community, such as NWDP, as celebrations of language, history, culture and identity
    7. reflecting on the ways that culture is interpreted by others, for example by identifying how stereotypes about deaf and hearing people influence perceptions among members of either community
    8. understanding that ‘sound’ is accessed differently in Deaf culture, that the meaning and importance of sound in deaf people’s lives is usually not the same as in hearing people’s experience

Levels 9 and 10 Achievement Standard

By the end of Level 10, students use Auslan to share information, experiences, interests, thoughts and feelings in relation to their personal and immediate worlds. They describe the appearance of people, objects and places using SASS depicting signs and spatial location, for example, HAVE DS: round-oval DS: located HERE NEXT-TO HAVE BUILDING BIG. THERE. There’s an oval there and next to it is a big building. It’s there. They participate in shared learning activities and experiences that involve planning, transacting and problem-solving, using simple signed statements and asking for repetition and clarification when required. They follow protocols when interacting with each other, with interpreters or Deaf visitors to the classroom, for example, waiting for eye contact or pauses to walk in-between signers engaged in conversation without interrupting them. Students increasingly use conventional Auslan signs or classifier handshapes in depictions and rely less on their idiosyncratic systems. They modify some indicating verbs for non-present referents and use constructed action to represent others in recounts. They make explicit which referent is associated with location, for example,

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